This gives the point of view from which Jehovah ironically invites Job, if he thinks (see chap. xxiv.) that he can govern the world—the human as well as the extra-human world—better than the Creator, to make the bold attempt. He bids him array himself with the Divine majesty and carry out that retribution in which Jehovah, according to him, has so completely failed (xl. 11-13). If Job will prove his competence for the office which he claims, then Jehovah Himself will recognise his independence and extol his inherent strength. Did the poet mean to finish the second speech of Jehovah here? It is probable; the subject of the interrogatory hardly admitted of being developed further in poetry. A later writer (or, as Merx thinks, the poet of Job himself) seems to have found the speech too short, and therefore appended the two fancy sketches of animals which follow. But in the original draft of the poem xl. 14 must have been followed immediately by Job’s retractation, closing with those striking words (see above, p. 49) which so well supplement the less articulate confession of xl. 4, 5—
I had heard of thee by the hearing of the ear,
but now mine eye sees thee:[[65]]
therefore I retract and repent
in dust and ashes (xlii. 5, 6).
How complete a reversal of the ‘princely’ anticipations of Job in xxxi. 37! To us, indeed, it may seem somewhat ungracious to Job to give this as the last scene of his pathetic drama. But the poet leaves it open to us to animate Job’s repentance with love as well as awe and compunction. With fine feeling Blake in his seventeenth illustration almost fills the margin with passages from the Johannine writings.
The long description of the two Egyptian monsters (xl. 15, xli. 26) is, as we have hinted above, out of place in the second speech of Jehovah. It has indeed been suggested that the writer may have intended it as a development of xl. 14—
Then will I in return confess unto thee
that thy right hand can help thee—
which implies that Job has no power to help himself in the government of the world. According to this view, the opening words of the behemoth section will mean, ‘Consider, pray, that thou hast fellow-creatures which are far stronger than thou; and how canst thou undertake the management of the universe?’ It must, however, be admitted that the emphasis thus laid on the omnipotence of God, apart from His righteousness, introduces an obscurity into the argument which almost compels us to assume that the sketches of behemoth and leviathan are later insertions. At any rate, even if we regard them as the work of the principal writer of Job, we must at least ascribe them to one of those after-thoughts by which poets not unfrequently spoil their best productions. The style of the description, too, is less chastened than that of chaps. xxxviii. xxxix. (so that Bickell can hardly be right in placing xl. 15, &c., immediately after xxxix. 30), and if it relates to the hippopotamus and the crocodile is less true to nature than the other ‘animal pieces.’