In this camp of preparation I was visited by our old friends the natives; and one who called himself John Piper and spoke English tolerably well agreed to accompany me as far as I should go, provided he was allowed a horse and was clothed, fed, etc.; all which I immediately agreed to. I had not however forgotten Mr. Brown, and I reminded Burnett of that native's desertion; but Burnett, who seemed to be on excellent terms with Piper, assured me that after he should be some weeks' journey in the interior dread of the savage natives would prevent him from leaving our party, and so it turned out.
But in breaking on our stock of provisions, we commenced with due regard to their importance on an interior journey by so reducing the weight of our steel-yard that a five months' stock should last nearly seven months. This arrangement was however a secret known only to Burnett and myself.
The plan of encampment was to be the same as on the former journey, only that a greater number of carts stood in the line parallel to the boat-carriage.
March 17.
I put the party in movement towards Buree and rode across the country on our right with Piper. We found the earth parched and bare but, as we bounded over hill and dale a fine cool breeze whispered through the open forest, and felt most refreshing after the hot winds of Sydney. Dr. Johnson's Obidah was not more free from care on the morning of his journey than I was on this, the first morning of mine. It was also St. Patrick's day, and in riding through the bush I had leisure to recall past scenes and times connected with the anniversary. I remembered that exactly on that morning, twenty-four years before, I marched down the glacis of Elvas to the tune of St. Patrick's Day in the Morning as the sun rose over the beleaguered towers of Badajoz. Now, without any of the pride, pomp, and circumstance of glorious war, I was proceeding on a service not very likely to be peaceful, for the natives here assured me that the Myalls were coming up murry coola, i.e. very angry, to meet us. At Buree I rejoined my friend Rankin who had accompanied me from Bathurst to the camp, and Captain Raine who occupied this place with his cattle. A hundred sheep and five fat oxen were to be furnished by this gentlemen to complete my commissariat supplies.
CORROBORY-DANCE OF THE NATIVES.
In the evening the blacks, having assembled in some numbers, entertained us with a corrobory, their universal and highly original dance. (See Plate.) Like all the rest of the habits and customs of this singular race of wild men, the corrobory is peculiar and, from its uniformity on every shore, a very striking feature in their character. The dance always takes place at night, by the light of blazing boughs, and to time beaten on stretched skins, accompanied by a song.* The dancers paint themselves white, and in such remarkably varied ways that no two individuals are at all alike. Darkness seems essential to the effect of the whole; and the painted figures coming forward in mystic order from the obscurity of the background, while the singers and beaters of time are invisible, have a highly theatrical effect. Each dance seems most tastefully progressive; the movement being at first slow, and introduced by two persons displaying graceful motions both of arms and legs, others one by one join in, each imperceptibly warming into the truly savage attitude of the corrobory jump; the legs then stride to the utmost, the head is turned over one shoulder, the eyes glare and are fixed with savage energy all in one direction, the arms also are raised and inclined towards the head, the hands usually grasping waddies, boomerangs, or other warlike weapons. The jump now keeps time with each beat, the dancers at every movement taking six inches to one side, all being in a connected line, led by the first. The line however is sometimes doubled or tripled according to space and numbers; and this gives great effect, for when the front line jumps to the LEFT, the second jumps to the RIGHT, the third to the LEFT again, and so on; until the action acquires due intensity, when all simultaneously and suddenly stop. The excitement which this dance produces in the savage is very remarkable. However listless the individual may be, laying perhaps, as usual, half asleep; set him to this dance, and he is fired with sudden energy, and every nerve is strung to such a degree that he is no longer to be recognised as the same person until he ceases to dance, and comes to you again. There can be little doubt that the corrobory is the medium through which the delights of poetry are enjoyed, in a limited degree, even by these primitive savages of New Holland.
(*Footnote. To this end they stretch a skin very tight over the knees, and thus may be said to use the tympanum in its rudest form, this being the only instance of a musical instrument that I have seen among them. Burder says: "By the timbrels which Miriam and the other women played upon when dancing, we are to understand the tympanum of the ancient Greeks and Romans, which instrument still bears in the East the name that it is in Hebrew, namely, doff or diff, whence is derived the Spanish adufe, the name of the Biscayan tabor. Niebuhr describes this instrument in his Travels Part 1 page 181. It is a broad hoop, with a skin stretched over it; on the edge there are generally thin round plates of metal, which also make some noise when this instrument is held up in one hand and struck with the fingers of the other hand. Probably no musical instrument is so common in Turkey as this; for when the women dance in the harem the time is always beat on this instrument. We find the same instrument on all the monuments in the hands of the Bacchante. It is also common among the negroes of the Gold Coast and Slave Coast." Oriental Customs Volume 1.)
VISIT TO THE LIMESTONE CAVES.
March 18.