The wick must be prevented from touching the rim of the lamp, in order to avoid the running of the oil into the stand of the lamp. This is easily managed by means of a bent iron-wire, disposed as it is in the lamp described in this work; see [pl. 1], fig. 23, where the wire is seen in an elevated position. When the wick is in the lamp, the wire is brought down round the wick and level with the surface of the lamp. A few drops of oil of turpentine, spread on the wick, makes it take fire immediately, over its whole extent, on the approach of an inflamed substance.

To obtain a good fire, it is necessary to place the lamp in such a position that the orifice of the blowpipe shall just touch the exterior part of the flame. The beak must not enter the flame, as it can then throw into the jet only an inconsiderable portion of the ignited matter. See [pl. 1], fig. 20. On the other hand, if the lamp be too far away from the blowpipe, the flame becomes trembling, appears blueish, and possesses a very low degree of heat.

For mineralogical experiments, and for operations connected with watch-making and jewellery, the current of air should project the flame horizontally. For glass-blowing, the flame should be projected in the direction intimated by the arrow in [pl. 1], fig. 20—that is to say, under an angle of twenty or twenty-five degrees.

The current of air ought to be constant, uniform, and sufficiently powerful to carry the flame in its direction. When it is not strong enough to produce this effect, it is necessary to add weights to the bellows or the bladder, according as the glass-blowers’ table or our lamp is employed. The point to which you should apply, in the use of these instruments, is to enable yourself to produce a current of air so uniform in its course that the projected flame be without the least variation.

Finally, when you leave off working you should extinguish the flame, by cutting off the inflamed portion of the wick with the scissars. This has the double advantage of avoiding the production of a mass of smoke and of leaving the lamp in a fit state for another operation.

CHOICE AND PRESERVATION OF GLASS.

The only materials employed in the fabrication of the objects described in this Treatise, are tubes of common glass or of flint-glass. They can be had of all diameters, and of every variety of substance. They are commonly about three feet long, but some are found in commerce which are six feet in length. You should choose tubes that are very uniform—that is to say, straight and perfectly cylindrical, both inside and outside. A good tube should have the same diameter from one end to the other, and the sides or substance of the glass should be of equal thickness in every part. This is indispensable when the tubes are to have spherical bulbs blown upon them. We shall describe, in the article Graduation, the method of ascertaining whether or not a tube is uniform in the bore.

The substance of the glass should be perfectly clear, without bulbs, or specks, or stripes. The tubes are so much the more easy of use, as the glass of which they are made is the more homogeneous. Under this point of view, the white glass, known in commerce by the name of crystal or flint-glass, is preferable to common glass: it is more fusible, less fragile, and less liable to break under the alternations of heat and cold; but it is dearer and heavier, and has the serious disadvantage of becoming permanently black when exposed to a certain part of the flame. This is an effect, the causes and consequences of which will be explained in a subsequent chapter.

You must take care never to employ flint-glass for instruments which are to be submitted to the action of certain fluids—such as sulphuretted and phosphuretted hydrogen, and the hydro-sulphurets; for these compounds are capable of decomposing flint-glass, in consequence of its containing oxide of lead. In general, hard common glass is preferable to flint-glass for all instruments which are to be employed in chemistry. Flint-glass should only be used for ornamental objects, and for the barometers, thermometers, and other instruments employed in philosophical researches.

It sometimes happens that glass tubes lose their transparence and ductility, and suddenly become almost infusible, in the fire of the lamp: this effect takes place when they have been kept for some time in a melted state. It is then almost impossible to bring them back to their original condition; it can only be done by exposing them for a long time to an exceedingly high temperature. You can prevent this accident by working such kind of glass with considerable rapidity, and in a pretty brisk fire. There are tubes, however, which vitrify so promptly that it is only a person well versed in the art who can make good use of them. It is best not to employ such glass. But how can it be discriminated before-hand? It is experience, sooner than any characters capable of description, that will teach you how to make choice of good glass; nevertheless we have observed, that, among the glass tubes which occur in commerce, those possessing a very white colour manifest this bad quality most particularly. It may be observed, that, for tubes which are to have thin sides, this vitrifiable sort of glass is better than any other.