For some instruments, the tubes of which must be capillary, it is necessary to blow the bulbs separately, and then to solder them to the requisite adjuncts. The reason of this is, that it would be too difficult to produce, from a very fine tube, a bulb of sufficient size and solidity to answer the intended purpose.
You make choice of a tube which is not capillary, but of a sufficient diameter, very cylindrical, with equal sides, and tolerably substantial: it may generally be from the twentieth to the twelfth of an inch thick in the glass. You soften two zones in this tube, more or less near to each other, according to the bulk you desire to give to the bulb, and you draw out the melted part in points. The talent consists in well-centering—that is to say, in drawing out the melted tube in such a manner that the thin parts or points shall be situated exactly in the prolongation of the axis of the little portion of the original tube remaining between them. This operation is technically termed drawing a cylinder between two points. The tube so drawn out is exhibited by [pl. 1], fig. 4. You cut these points at some distance from the central or thick part, and seal one end; you next completely soften the little thick tube and expand it into a bulb, by blowing with the precautions which have already been described. You must keep the glass in continual motion, if you desire to be successful in this experiment. Much rapidity of movement, and at the same time lightness of touch, are requisite in the operation here described. It is termed blowing a bulb between two points. [Pl. 1], fig. 10, exhibits a bulb blown between two points.
To obtain a round bulb, you should hold the tube horizontally; to obtain a flattened bulb, you should hold it perpendicularly, with the fused extremity turned above; to obtain a pear-shaped bulb, you should hold the fused extremity downwards.
When you are working upon a bulb between two points, or in the middle of a tube, you should hold the tube horizontally, in the ordinary manner; but you are to push the softened portion together, or to draw it out, according as you desire to produce a ridge or a prolongation.
When you are at liberty to choose the point from which you are to blow, you should prefer, 1st, that where the moisture of the breath can be the least prejudicial to the instrument which is to be made; 2dly, that which brings the part which is to be expanded nearest to your eye; 3dly, that which presents the fewest difficulties in the execution. When bulbs are to be formed in complicated apparatus, it is good to reflect a little on the best means of effecting the object. It is easy to understand that contrivances which may appear very simple on paper, present difficulties in the practical execution which often call for considerable management.
8.—PIERCING.
You first seal the tube at one extremity, and then direct the point of the flame on the part which you desire to pierce. When the tube has acquired a reddish-white heat, you suddenly remove it from the flame, and forcibly blow into it. The softened portion of the tube gives way before the pressure of the air, and bursts into a hole. You expose the tube again to the flame, and border the edges of the hole.
It is scarcely necessary to observe, that, if it be a sealed extremity which you desire to pierce, it is necessary to turn the tube between the fingers while in the fire; but if, on the contrary, you desire to pierce a hole in the side of a tube, you should keep the glass in a fixed position, and direct the jet upon a single point.
If the side of the tube is thin, you may dispense with blowing. The tube is sealed and allowed to cool; then, accurately closing the open extremity with the finger, or a little wax, you expose to the jet the part which you desire to have pierced. When the glass is sufficiently softened, the air enclosed in the tube being expanded by the heat, and not finding at the softened part a sufficient resistance, bursts through the tube, and thus pierces a hole.
You may generally dispense with the sealing of the tube, by closing the ends with wax, or with the fingers.