Fig. 35. ½
Incense-cups are the smallest, perhaps the latest of all sepulchral vessels, and the most various in form. Some contract from the centre towards the top and the bottom; others expand, others again contract from the bottom to the top. A few resemble saucers in shape; and many are perforated with oval, lozenge-shaped, or vertical holes, one example having as many as twenty-seven.[819]
Drinking-cups have been found on the Continent not only in Germany, Gelderland, and Denmark, from which countries, it should seem, they were introduced into Britain, but also in Spain, Portugal, Brittany, and the Channel Islands.[820] On the Continent they all belong to the Neolithic Age; and this fact alone is sufficient to show that the people who brought them into Britain had no bronze implements.[821] Moreover, although they continued in use in this country during a considerable part of the Bronze Age, they have rarely been found with bronze.[822] Only two specimens have been obtained in Ireland,[823] an additional indication of the erroneousness of the theory which identifies the earliest round-headed invaders who introduced drinking-cups into Britain with the Goidelic Celts. Like food-vessels, drinking-cups were receptacles for solid food or perhaps some kind of porridge; for remains which have been proved by analysis to be animal or vegetable have been found in both.[824]
Food-vessels are unknown outside the British Isles, and are frequent in Ireland,[825] while hardly a single specimen has been found in any of the numerous barrows of Wiltshire or Dorsetshire.[826] Like drinking-cups, they accompany skeletons far more frequently than burnt bones;[827] and they were obviously invented after drinking-cups had been some time in use, though, as it would seem, while incense-cups were still unknown.[828]
Incense-cups, like food-vessels, are common in Ireland as well as in Britain: a few have been found in the Channel Islands; but on the Continent they do not exist. They, too, are rare in Dorsetshire and the western counties,[829] although cremation was even more prevalent there than in Wiltshire, where they are numerous, and although they have hardly ever been found except with cremated remains.[830] It is remarkable that they were often deposited inside the urn and among the burnt bones.[831] The purpose for which they were designed has been a subject of much controversy. It is difficult to believe that they were really censers, for incense was probably not obtainable in Britain, though amber, which has occasionally been used as incense, may possibly have been burned in them. The numerous holes with which so many of them are pierced, and which would have stimulated combustion, might suggest that they were intended to carry the sacred fire from which the funeral pile was to be lighted; but as many specimens contain no holes it is impossible to acquiesce in this explanation.[832]
All these vessels were ornamented with the geometrical decoration characteristic of the Bronze Age, which consists for the most part of combinations of straight lines, arranged in almost infinite variety—chevrons, zigzags, lozenges, and the herring-bone pattern—as well as dots and what have been called oblong punch marks, and, in a few cases, crosses, curves, and even circles. The patterns were impressed upon the clay while it was still wet by a pointed implement of bone or wood, by cords, and occasionally, as we have seen, by finger-nails or finger-tips. Some of them may have been imitated from basket-work or from the plaited straw or grass with which the fragile vessels were protected; for Pitt-Rivers found on his estate a fragment of fine basket-work over which clay had been plastered on both sides. As a general rule drinking-cups and food-vessels are far more profusely ornamented than the other kinds, both being in many cases covered with decoration.[833] Except perhaps in the case of drinking-cups, it is doubtful whether any useful conclusion can be drawn from the patterns; for, although the oblong punch marks are apparently peculiar to the British Isles,[834] chevrons of divers kinds have been found in nearly every country of Europe, as well as Africa, Madagascar, Siberia, Ceylon, the Philippine Islands, and North Australia.[835] Indeed one form of chevron ornament—the so-called diaper pattern—appears not only on French neolithic pottery and on urns from a chambered cairn in Orkney, but also on a palaeolithic implement from Brassempouy;[836] and the rude hand-made bowls out of which the modern Hebrideans eat their porridge are still ornamented, as they were three thousand years ago, with straight lines made with a pointed stick or with impressions of a thumb-nail.[837] On the other hand, as chevron patterns characterized the Bronze Age throughout Europe, although they occurred both earlier and later, further research may ultimately show that they had a common origin.[838] The supposition that concentric circles—a form of ornament which, as we have seen, is also characteristic of the shields of the Bronze Age—were generally symbolical of sun-worship,[839] is hardly likely to be proved. Probably in some cases they had this or some other religious meaning: but in others they may have been purely decorative; and they are to be seen on the churingas or sacred stones of the Aruntas of Central Australia,[840] who, it need hardly be said, do not worship the sun. More interesting are the few vessels which bear incised designs inlaid with white earth, and resemble, though in a ruder style, pottery from the lake-dwellings of Switzerland and Austria and from Hissarlik.[841] It is conceivable that this kind of decoration may have arisen independently in the different lands in which it has been observed: but the most sceptical would hardly deny the evidence of indirect connexion with the Aegean which has been furnished by the famous chalk The ‘drums’ of Folkton Wold and their significance. ‘drums’ of Folkton Wold. Associated with the body of a child in a trench which partially surrounded the barrow were three solid drum-shaped cylinders of chalk, decorated not only with familiar geometrical designs, but also with concentric circles, which in one case seemed to be degenerate spirals, figures called ‘double horse-shoes’, which occur at New Grange and at Gavr’ Inis in Brittany, and quaint representations of the eyes and eyebrows of the human face, closely resembling the so-called owl-heads which Schliemann found on vases at Hissarlik. Similar faces are sculptured on standing stones and the walls of sepulchral grottoes in the departments of the Marne, the Gard, and the Tarn, and incised on Spanish pottery of the early Bronze Age; and probably it was by way of Spain that this Mediterranean influence found its way to a remote Yorkshire moor.[842]
Fig. 36. ⅔
Sepulchral evidence as to religion.