CHAPTER XI.
RENAISSANCE ARCHITECTURE IN ITALY.
RENAISSANCE architecture—the architecture of the classic revival—had its origin in Italy, and should be first studied in the land of its birth. There are more ways than one in which it may be attempted to classify Italian Renaissance buildings. The names of conspicuous architects are sometimes adopted for this purpose, for now, for the first time, we meet with a complete record of the names and performances of all architects of note: the men who raised the great works of Gothic art are, with a few exceptions, absolutely unknown to us. An approximate division into three stages can also be recognised. There is an early, a developed, and a late Renaissance, but this is very far indeed from being a completely marked series, and was more interfered with by local circumstances and by the character and genius of individual artists than in Gothic. For this reason a local division will be of most service. The best examples exist in the great cities, with a few exceptions, and it is almost more useful to group them—as the paintings of the Renaissance are also often grouped—by locality than in either of the other methods.
FLORENCE.
Renaissance architecture first sprang into existence in Florence. Here chiefly the works of the early Renaissance are met with, and the names of the great Florentine architects are Brunelleschi and Alberti.
Brunelleschi was a citizen of Florence, of very ardent temperament and great energy, and a true artist. He was born in 1377, was originally trained as a goldsmith and sculptor, but devoted himself to the study of architecture, and early set his heart upon being appointed to complete the dome of the then unfinished cathedral of Florence, of which some account has already been given.