Alessio was also the architect of a large domical church (il Carignano) in the same city; but it is far inferior in merit to his series of palaces. Genoa also possesses a famous church (the Annunziata) of late Renaissance, attributed to Puget (1622-1694). It is vaulted, and enriched with marbles, mosaics, and colour to such an extent that it may fairly claim to be the most gaudy church in Italy, which is unfortunate, as its original undecorated design is fine and simple.
Turin in the north, and Naples in the south, are chiefly remarkable for examples of the latest and more or less debased Renaissance, and we therefore do not propose to illustrate or describe any of the buildings in either city.
COUNTRY VILLAS.
Fig. 70.—Villa Medici—On the Pincian Hill near Rome. By Annibale Lippi (now the Académie Française). (A.D. 1540.)
As the ancient Roman patrician had his villa, which was his country resort, the Italian of the revival followed his example, and, if he was wealthy enough, built himself a pleasure house, which he called a villa, either in the immediate suburbs of his city, or at some little distance away in the country. These buildings occur throughout [!-- original location of Fig. 70 --] Italy. Many of them are excellent examples of Renaissance architecture of a more modest type than that of the palaces. The Villa Papa Giulio, built from the designs of Vignola, and the Villa Medici, designed by Annibale Lippi, but attributed, for some unknown reason, to Michelangelo, may be mentioned as among the most thoroughly architectural out of some twenty or more splendid villas in the suburbs of Rome alone. Many of these buildings were erected late in the Renaissance period, and are better worth attention for their fine decorations and the many works of art collected within their walls than as architectural studies—but this is not always the case; and as they were mostly designed to serve the purpose of elegant museums rather than that of country houses as we understand the term, they usually possess noble interiors, and exhibit throughout elaborate finish, choice materials, and lavish outlay.
