The Norman capital differed to some extent from the Romanesque capitals of other parts of Europe. It was commonly of a heavy, strong-looking shape, and is often appropriately called the cushion capital. In its simpler forms the cushion capital is nothing but a cubical block of stone with its lower corners rounded off to make it fit the circular shaft on which it is placed, and with a slab by way of abacus placed upon it. In later Norman and transitional work the faces of this block and the edges of the abacus are often richly moulded. By degrees, however, as the transition to E. E. approached, a new sort of capital[16] was introduced, having the outline of the bell hollow instead of convex. The square faces of the Norman capital of course disappeared, and the square abacus soon (at least in this country) became circular, involving no small loss of vigour in the appearance of the work. The bell of this capital was often decorated with rich mouldings, and had finely-designed and characteristic foliage, which almost always seemed to grow up the capital, and represented a conventional kind of leaf easily recognised when once seen.
In the Dec. period the capitals have, as a rule, fewer and less elaborate mouldings; the foliage is often very beautifully carved in imitation of natural leaves, and wreathed round the capital instead of growing up it. In the Perp. this feature is in every way less ornate, the mouldings are plainer, and the foliage, often absent, is, when it occurs, conventional and stiff. Polygonal capitals are common in this period.
Later Norman Capital.
FOOTNOTES:
[8] For illustrations consult the [Glossary] under Pier.
[9] For illustration consult the [Glossary].
[10] For illustrations consult the [Glossary].
[11] For illustration consult the [Glossary] under Flying buttress.