"Very well. Send your compliments and your message in a note; and let it be daintily worded; not in heavy phrases, like a legal document."
"A very princess in feminine diplomacy!" said Mr. Emerson to himself, as he turned from the lady and took his way homeward. "So I must pen a note."
Now this proved a more difficult matter than he had at first thought. He sat down to the task immediately on returning to his room. On a small sheet of tinted note-paper he wrote a few words, but they did not please him, and the page was thrown into the fire. He tried again, but with no better success—again and again; but still, as he looked at the brief sentences, they seemed to express too much or too little. Unable to pen the note to his satisfaction, he pushed, at last, his writing materials aside, saying,
"My head will be clearer and cooler in the morning."
It was drawing on to midnight, and Mr. Emerson had not yet retired. His thoughts were too busy for sleep. Many things were crowding into his mind—questions, doubts, misgivings—scenes from the past and imaginations of the future. And amid them all came in now and then, just for a moment, as he had seen it five years before, the pale, still face of Irene.
Wearied in the conflict, tired nature at last gave way, and Mr. Emerson fell asleep in his chair.
Two hours of deep slumber tranquilized his spirit. He awoke from this, put off his clothing and laid his head on his pillow. It was late in the morning when he arose. He had no difficulty now in penning a note to Mrs. Eager. It was the work of a moment, and satisfactory to him in the first effort.
At twelve he called with a carriage for the lady, whom he found all ready to accompany him, and in the best possible state of mind. Her smile, as he presented himself, was absolutely fascinating; and her voice seemed like a freshly-tuned instrument, every tone was so rich in musical vibration, and all the tones came chorded to his ear.
There were not many visitors at the exhibition rooms—a score, perhaps—but they were art-lovers, gazing in rapt attention or talking in hushed whispers. They moved about noiselessly here and there, seeming scarcely conscious that others were present. Gradually the number increased, until within an hour after they entered it was more than doubled. Still, the presence of art subdued all into silence or subdued utterances.
Emerson was charmed with his companion's appreciative admiration of many pictures. She was familiar with art-terms and special points of interest, and pointed out beauties and harmonies that to him were dead letters without an interpreter. They came, at last, to a small but wonderfully effective picture, which contained a single figure, that of a man sitting by a table in a room which presented the appearance of a library. He held a letter in his hand—a old letter; the artist had made this plain—but was not reading. He had been reading; but the words, proving conjurors, had summoned the dead past before him, and he was now looking far away, with sad, dreamy eyes, into the long ago. A casket stood open. Time letter had evidently been taken from this repository. There was a miniature; a bracelet of auburn hair; a ring and a chain of gold lying on the table. Mr. Emerson turned to the catalogue and read,