Few men went about their daily business with a heavier heart than Mr. Andrew Grim. He felt that he was the possessor of ill-gotten gain; and felt, besides, a sense of insecurity.
"Wealth is the representative of use to society. It comes, or should come, as a reward for serving the common good," he repeated to himself, in the words he had heard in his dream. "And how have I served the common good? What good have I performed that corresponds to the blessings I have received and enjoy? Ah, me! I wish it were otherwise."
With such thoughts, how could the man be happy! When night came round again he feared to trust himself in the arms of sleep; and when exhausted nature yielded, painful dreams haunted him until morning. Weeks elapsed before the vivid impression he had received wore off, and before he enjoyed any thing like a quiet slumber. But, though he had a better sleep, his waking thoughts ceased to be peaceful and self-satisfying. A year went by, and then, fretted beyond endurance at his position of manufacturer of death and destruction, both natural and spiritual, for his fellow men, he broke up his distillery, and invested his money in a business that could be followed with benefit to all.
THE RUINED FAMILY.
PART FIRST.
"HOW beautiful!" ejaculated Mary Graham, as she fixed her eyes intently on the western sky, rich with the many-coloured clouds of a brilliant sunset in June.
"Beautiful indeed!" responded her sister Anna.
"I could gaze on it for ever!" Ellen, a younger and more enthusiastic sister remarked, with fervent admiration. "Look, Ma! was ever anything more gorgeous than that pure white cloud, fringed with brilliant gold, and relieved by the translucent and sparkling sky beyond?"
"It is indeed very beautiful, Ellen," Mrs. Graham replied. But there was an abstraction in her manner, that indicated, too plainly, that something weighed upon her mind.
"You don't seem to enjoy a rich sunset as much as you used to do, Ma," Anna said, for she felt the tone and manner in which her mother had expressed her admiration of the scene.