Poor Clara, overwhelmed with mortification, retired to a seat, while her husband continued his antics, ending them finally with an Indian whoop, such as may often be heard late at night in the streets, from a company of drunken revellers,—when he sought her out, and came and took a seat by her side.
"Aint you happy to-night, Clara! Aint you, old girl!" he said, in a loud voice, striking her with his open hand upon the shoulder. "I'm so happy that I feel just ready to jump out of my skin! Whoop!—Now see how beautifully I can cut a pigeon's-wing."
And he sprang from his seat, and commenced describing the elegant figure he had named, with industrious energy, much to the amusement of one portion of the company, but to the painful mortification of another. A circle was soon formed around him, to witness his graceful movements, which strongly reminded those present who had witnessed the performances, of a corn-field negro's Juba, or the double-shuffle.
"Come," old Mr. Manley said, interrupting the young man in his evolutions, by laying his hand upon his arm.
"Come! I want you a moment."
"Hel-lel-lel-lo, o-o, there! What's wanting? ha!" he said, pausing, and then staggering forwards against Mr Manley. "Who are you, sir?"
"For shame, sir!" the old man replied in a stern voice. "Come with me, I wish to speak to you."
"Speak here, then, will you? I've no se-se-secrets. I'm open and above board! Jim Haley's the boy that knows what he's about! Who-o-o-oop! Clear the track there!"
And starting away from the old man, he ran two or three paces, and then sprang clear over the head of a young lady, frightening her almost out of her wits.
"There! Who'll match me that? Jim Haley's the boy what's hard to beat! Whoo-oo-oop, hurrah! But where's Clara? Where's my dear little wifie? Ah! there—No, that isn't her, neither. Wh-wh-where is the little jade?"