The self-sufficient physician, who did not expect such a repartee from a youth of Peregrine's appearance, looked upon his reply as a fair challenge, and instantly rehearsed forty or fifty lines of the Iliad in a breath. Observing that the stranger made no effort to match this effusion, he interpreted his silence into submission; then, in order to ascertain his victory, insulted him with divers fragments of authors, whom his supposed competitor did not even know by name; while Mr. Pallet stared with admiration at the profound scholarship of his companion. Our young gentleman, far from repining at this superiority laughed within himself at the ridiculous ambition of the pedantic doctor. He rated him in his own mind as a mere index-hunter, who held the eel of science by the tail, and foresaw an infinite fund of diversion in his solemnity and pride, if properly extracted by means of his fellow-traveller's vanity and assurance. Prompted by these considerations, he resolved to cultivate their acquaintance, and, if possible, amuse himself at their expense in his journey through Flanders, understanding that they were determined upon the same route. In this view he treated them with extraordinary attention, and seemed to pay particular deference to the remarks of the painter, who, with great intrepidity, pronounced judgment upon every picture in the palace, or, in other words, exposed his own nakedness in every sentence that proceeded from his mouth.
When they came to consider the Murder of the Innocents by Le Brun, the Swiss observed, that it was un beau morceau, and Mr. Pallet replied,—“Yes, yes, one may see with half an eye, that it can be the production of no other; for Bomorso's style both in colouring and drapery, is altogether peculiar: then his design is tame, and his expression antic and unnatural. Doctor, you have seen my judgment of Solomon; I think I may, without presumption—but, I don't choose to make comparisons; I leave that odious task to other people, and let my works speak for themselves. France, to be sure, is rich in the arts; but what is the reason? The king encourages men of genius with honour and rewards; whereas, in England, we are obliged to stand on our own feet, and combat the envy and malice of our brethren. Egad! I have a good mind to come and settle here in Paris. I should like to have an apartment in the Louvre, with a snug pension of so many thousand livres.”
In this manner did Pallet proceed with an eternal rotation of tongue, floundering from one mistake to another, until it was the turn of Poussin's Seven Sacraments to be examined. Here again, the Swiss, out of the abundance of his zeal, expressed his admiration, by saying these pieces were impayable; when the painter, turning to him, with an air of exultation, “Pardon me, friend, there you happen to be mistaken: these are none of Impayable's; but done by Nicholas Pouseen. I have seen prints of them in England, so that none of your tricks upon travellers, Mr. Swiss or Swash, or what's your name.” He was much elated by this imaginary triumph of his understanding, which animated him to persevere in his curious observations upon all the other pieces of that celebrated collection; but perceiving that the doctor manifested no signs of pleasure and satisfaction, but rather beheld them with a silent air of disdain, he could not digest his indifference, and asked, with a waggish sneer, if ever he had seen such a number of masterpieces before? The physician, eyeing him with a look of compassion, mingled with contempt, observed that there was nothing there which deserved the attention of any person acquainted with the ideas of the ancients; and that the author of the finest piece now in being was unworthy to clean the brushes of one of those great masters who are celebrated by the Greek and Roman writers.
“O lad! O lad!” exclaimed the painter, with a loud laugh, “you have fairly brought yourself into a dilemma at last, dear doctor; for it is well known that your ancient Greek and Roman artists knew nothing at all of the matter, in comparison with our modern masters; for this good reason, because they had but three or four colours, and knew not how to paint with oil: besides, which of all your old fusty Grecians would you put upon a footing with the divine Raphael, the most excellent Michael Angelo, Bona Roti, the graceful Guido, the bewitching Titian, and above all others, the sublime Rubens, the—.” He would have proceeded with a long catalogue of names which he had got by heart for the purpose, without retaining the least idea of their several qualifications, had not he been interrupted by his friend, whose indignation being kindled by the irreverence with which he mentioned the Greeks, he called him blasphemer, Goth, Boeotian, and, in his turn, asked with great vehemence, which of those puny moderns could match with Panaenus of Athens, and his brother Phidias; Polycletus of Sicyon; Polygnotus, the Thracian; Parrhasius of Ephesus, surnamed Abrodiaitos, or the Beau; and Apelles, the prince of painters? He challenged him to show any portrait of these days that could vie with the Helen of Zeuxis, the Heraclean; or any composition equal to the Sacrifice of Iphigenia, by Timanthes, the Sicyonian; not to mention the Twelve Gods of Asclepiodorus, the Athenian, for which Mnason, tyrant of Elatea, gave him about three hundred pounds apiece; or Homer's Hell, by Nicias, who refused sixty talents, amounting to upwards of eleven thousand pounds, and generously made a present of it to his own country. He desired him to produce a collection equal to that in the temple of Delphos, mentioned in the “Ion” of Euripides; where Hercules and his companion Iolaus, are represented in the act of killing the Lernaean hydra with golden sickles, kruseais harpais, where Bellerophon appears on his winged steed, vanquishing the fire-breathing chimera, tan puripneousan; and the war of the giants is described. Here Jupiter stands wielding the red-hot thunderbolts, keraunon amphipuron; there Pallas, dreadful to the view, Gorgopon, brandishes her spear against the huge Euceladus; and Bacchus, with slender ivy rods, defeats and slays the ges teknon, or the mighty son of earth.
The painter was astonished and confounded at this rhapsody of names and instances, which was uttered with surprising eagerness and rapidity, suspecting at first that the whole was the creation of his own brain; but when Pickle, with a view of flattering the doctor's self-conceit, espoused his side of the question, and confirmed the truth of everything he advanced, Mr. Pallet changed his opinion, and in emphatic silence adored the immensity of his friend's understanding. In short, Peregrine easily perceived that they were false enthusiasts, without the smallest pretensions to taste and sensibility; and pretended to be in raptures with they knew not what; the one thinking it was incumbent upon him to express transports on seeing the works of those who had been most eminent in their profession, whether they did or did not really raise his admiration; and the other as a scholar deeming it his duty to magnify the ancients above all competition, with an affected fervour, which the knowledge of their excellencies never inspired. Indeed, our young gentleman so successfully accommodated himself to the disposition of each, that long before their review was finished, he was become a particular favourite with both.
From the Palais Royal he accompanied them to the cloisters of the Carthusian's, where they considered the History of St. Bruno, by Le Sueur, whose name being utterly unknown to the painter, he gave judgment against the whole composition, as pitiful and paltry; though, in the opinion of all good judges, it is a most masterly performance.
Having satisfied their curiosity in this place, Peregrine asked them to favour him with their company at dinner; but whether out of caution against the insinuations of one whose character they did not know, or by reason of a prior engagement, they declined his invitation on pretence of having an appointment at a certain ordinary, though they expressed a desire of being further acquainted with him; and Mr. Pallet took the freedom of asking his name, which he not only declared, but promised, as they were strangers in Paris, to wait upon them next day in the forenoon, in order to conduct them to the Hotel de Toulouse, and the houses of several other noblemen, remarkable for painting or curious furniture. They thankfully embraced his proposal, and that same day made inquiry among the English gentlemen about the character of our hero, which they found so much to their satisfaction, that, upon their second meeting, they courted his good graces without reserve; and as they had heard of his intended departure, begged earnestly to have the honour of accompanying him through the Low Countries. He assured them that nothing could be more agreeable to him than the prospect of having such fellow-travellers; and they immediately appointed a day for setting out on that tour.
CHAPTER XLIII.
He introduces his new Friends to Mr. Jolter, with whom the Doctor enters into a Dispute upon Government, which had well nigh terminated in open War.