MODERN GARGOYLE, ABINGDON, 1881.
Contents.
| PAGE | |
| Preface | [v] |
| Introduction | [1] |
| Definitions of the Grotesque | [5] |
| The Carvers | [9] |
| The Artistic Qualities of Church Grotesques | [19] |
| Gothic Ornament not Didactic | [24] |
| Ingrained Paganism | [27] |
| Mythic Origin | [34] |
| Hell’s Mouth | [60] |
| Satanic Representations | [64] |
| The Devil and the Vices | [78] |
| Ale and the Alewife | [99] |
| Satires without Satan | [106] |
| Scriptural Illustrations | [112] |
| Masks and Faces | [121] |
| The Domestic and Popular | [134] |
| The Pig and other Animal Musicians | [152] |
| Compound Forms | [157] |
| Nondescripts | [169] |
| Rebuses | [173] |
| Trinities | [175] |
| The Fox in Church Art | [184] |
| Situations of Grotesque Ornament in Church Art | [213] |
| Index | [219] |
A ROOF SUPPORTER, EWELME, OXON.