If we turn to the New World, we shall find strange though it may appear, that the ancient Mexicans and Peruvians worshiped a crucified Saviour. This was the virgin-born Quetzalcoatle whose crucifixion is represented in the paintings of the "Codex Borgianus," and the "Codex Vaticanus."

These paintings illustrate the religious opinions of the ancient Mexicans, and were copied from the hieroglyphics found in Mexico. The Spaniards destroyed nearly all the books, ancient monuments and paintings which they could find; had it not been for this, much more regarding the religion of the ancient Mexicans would have been handed down to us. Many chapters were also taken—by the Spanish authorities—from the writings of the first historians who wrote on ancient Mexico. All manuscripts had to be inspected previous to being published. Anything found among these heathens resembling the religion of the Christians, was destroyed when possible.[199:8]

The first Spanish monks who went to Mexico were surprised to find the crucifix among the heathen inhabitants, and upon inquiring what it meant, were told that it was a representation of Bacob (Quetzalcoatle), the Son of God, who was put to death by Eopuco. They said that he was placed on a beam of wood, with his arms stretched out, and that he died there.[200:1]

Lord Kingsborough, from whose very learned and elaborate work we have taken the above, says:

"Being questioned as to the manner in which they became acquainted with these things, they replied that the lords instructed their sons in them, and that thus this doctrine descended from one to another."[200:2]

Sometimes Quetzalcoatle or Bacob is represented as tied to the cross—just as we have seen that Attys was represented by the Phrygians—and at other times he is represented "in the attitude of a person crucified, with impressions of nail-holes in his hands and feet, but not actually upon a cross"—just as we have found the Hindoo Crishna, and as he is represented in [Fig. No. 8]. Beneath this representation of Quetzalcoatle crucified, is an image of Death, which an angry serpent seems threatening to devour.[200:3]

On the 73d page of the Borgian MS., he is represented crucified on a cross of the Greek form. In this print there are also impressions of nails to be seen on the feet and hands, and his body is strangely covered with suns.[200:4]

In vol. ii. plate 75, the god is crucified in a circle of nineteen figures, and a serpent is depriving him of the organs of generation.

Lord Kingsborough, commenting on these paintings, says:

"It is remarkable that in these Mexican paintings the faces of many of the figures are black, and that the visage of Quetzalcoatle is frequently painted in a very deformed manner."[200:5]