The Crucified Dove worshiped by the ancients, was none other than the crucified Sun. Adonis was called the Dove. At the ceremonies in honor of his resurrection from the dead, the devotees said, "Hail to the Dove! the Restorer of Light."[485:5] [Fig. No. 35] is the "Crucified Dove" as described by Pindar, the great lyric poet of Greece, born about 522 B. C.
"We read in Pindar, (says the author of a learned work entitled "Nimrod,") of the venerable bird Iynx bound to the wheel, and of the pretended punishment of Ixion. But this rotation was really no punishment, being, as Pindar saith, voluntary, and prepared by himself and for himself; or if it was, it was appointed in derision of his false pretensions, whereby he gave himself out as the crucified spirit of the world." "The four spokes represent St. Andrew's cross, adapted to the four limbs extended, and furnish perhaps the oldest profane allusion to the crucifixion. The same cross of St. Andrew was the Taw, which Ezekiel commands them to mark upon the foreheads of the faithful, as appears from all Israelitish coins whereon that letter is engraved. The same idea was familiar to Lucian, who calls T the letter of crucifixion. Certainly, the veneration for the cross is very ancient. Iynx, the bird of Mautic inspiration, bound to the four-legged wheel, gives the notion of Divine Love crucified. The wheel denotes the world, of which she is the spirit, and the cross the sacrifice made for that world."[486:1]
This "Divine Love," of whom Nimrod speaks, was "The First-begotten Son" of the Platonists. The crucifixion of "Divine Love" is often found among the Greeks. Iönah or Juno, according to the Iliad, was bound with fetters, and suspended in space, between heaven and earth. Ixion, Prometheus, Apollo of Miletus, (anciently the greatest and most flourishing city of Ionia, in Asia Minor), were all crucified.[486:2]
Semi-Ramis was both a queen of unrivaled celebrity, and also a goddess, worshiped under the form of a Dove. Her name signifies the Supreme Dove. She is said to have been slain by the last survivor of her sons, while others say, she flew away as a bird—a Dove. In both Grecian and Hindoo histories this mystical queen Semiramis is said to have fought a battle on the banks of the Indus, with a king called Staurobates, in which she was defeated, and from which she flew away in the form of a Dove. Of this Nimrod says:
"The name Staurobates, the king by whom Semiramis was finally overpowered, alluded to the cross on which she perished," and that, "the crucifixion was made into a glorious mystery by her infatuated adorers."[486:3]
Here again we have the crucified Dove, the Sun, for it is well known that the ancients personified the Sun female as well as male.
We have also the fable of the Crucified Rose, illustrated in the jewel of the Rosicrucians. The jewel of the Rosicrucians is formed of a transparent red stone, with a red cross on one side, and a red rose on the other—thus it is a crucified rose. "The Rossi, or Rosy-crucians' idea concerning this emblematic red cross," says Hargrave Jennings, in his History of the Rosicrucians, "probably came from the fable of Adonis—who was the Sun whom we have so often seen crucified—being changed into a red rose by Venus."[487:1]
The emblem of the Templars is a red rose on a cross. "When it can be done, it is surrounded with a glory, and placed on a calvary (Fig. No. 36). This is the Naurutz, Natsir, or Rose of Isuren, of Tamul, or Sharon, or the Water Rose, the Lily Padma, Pena, Lotus, crucified in the heavens for the salvation of man."[487:2]