This was intended to be a symbolical reminder of the damage done to the fields by mildew, called the "red fox," which was exorcised in various ways at this momentous season (the last third of April). It is the time of the Dog-Star, at which the mildew was most to be feared; if at that time great solar heat follows too close upon the hoar-frost or dew of the cold nights, this mischief rages like a burning fox through the corn-fields.[68:1]
He also says that:
"This is the sense of the story of the foxes, which Samson caught and sent into the Philistines' fields, with fire-brands fastened to their tails, to burn the crops. Like the lion, the fox is an animal that indicated the solar heat, being well suited for this both by its color and by its long-haired tail."[68:2]
Bouchart, in his "Hierozoicon," observes that:
"At this period (i. e., the last third of April) they cut the corn in Palestine and Lower Egypt, and a few days after the setting of the Hyads arose the Fox, in whose train or tail comes the fires or torches of the dog-days, represented among the Egyptians by red marks painted on the backs of their animals."[68:3]
Count de Volney also tells us that:
"The inhabitants of Carseoles, an ancient city of Latium, every year, in a religious festival, burned a number of foxes with torches tied to their tails. They gave, as the reason for this whimsical ceremony, that their corn had been formerly burnt by a fox to whose tail a young man had fastened a bundle of lighted straw."[68:4]
He concludes his account of this peculiar "religious festival," by saying:
"This is exactly the story of Samson with the Philistines, but it is a Phenician tale. Car-Seol is a compound word in that tongue, signifying town of foxes. The Philistines, originally from Egypt, do not appear to have had any colonies. The Phenicians had a great many; and it can scarcely be admitted that they borrowed this story from the Hebrews, as obscure as the Druses are in our own times, or that a simple adventure gave rise to a religious ceremony; it evidently can only be a mythological and allegorical narration."[68:4]
So much, then, for the foxes and fire-brands.