Again, when we find a mythological personage named Llyr, with a son named Manawyddan, playing a prominent part in Welsh legend, we may safely connect them with the Irish Lir and his son Mananan, gods of the sea. Llyr-cester, now Leicester, was a centre of the worship of Llyr.
Llew Llaw Gyffes
Finally, we may point to a character in the “Mabinogi,” or tale, entitled “Māth Son of Māthonwy.” The name of this character is given as Llew Llaw Gyffes, which the Welsh fabulist interprets as “The Lion of the Sure Hand,” and a tale, which we shall recount later on, is told to account for the name. But when we find that this hero exhibits characteristics which point to his being a solar deity, such as an amazingly rapid growth from childhood into manhood, and when we are told, moreover, by Professor Rhys that Gyffes originally meant, not “steady” or “sure,” but “long,”[218] it becomes evident that we have here a dim and broken reminiscence of the deity whom the Gaels called Lugh [pg 348] of the Long Arm,[219] Lugh Lamh Fada. The misunderstood name survived, and round the misunderstanding legendary matter floating in the popular mind crystallised itself in a new story.
These correspondences might be pursued in much further detail. It is enough here to point to their existence as evidence of the original community of Gaelic and Cymric mythology.[220] We are, in each literature, in the same circle of mythological ideas. In Wales, however, these ideas are harder to discern; the figures and their relationships in the Welsh Olympus are less accurately defined and more fluctuating. It would seem as if a number of different tribes embodied what were fundamentally the same conceptions under different names and wove different legends about them. The bardic literature, as we have it now, bears evidence sometimes of the prominence of one of these tribal cults, sometimes of another. To reduce these varying accounts to unity is altogether impossible. Still, we can do something to afford the reader a clue to the maze.
The Houses of Dōn and of Llyr
Two great divine houses or families are discernible—that of Dōn, a mother-goddess (representing the Gaelic Dana), whose husband is Beli, the Irish Bilé, god of Death, and whose descendants are the Children of Light; and the House of Llyr, the Gaelic Lir, who here represents, not a Danaan deity, but something more like the Irish Fomorians. As in the case of the Irish myth, the [pg 349] two families are allied by intermarriage—Penardun, a daughter of Dōn, is wedded to Llyr. Dōn herself has a brother, Māth, whose name signifies wealth or treasure (cf. Greek Pluton, ploutos), and they descend from a figure indistinctly characterised, called Māthonwy.
The House of Arthur
Into the pantheon of deities represented in the four ancient Mabinogi there came, at a later time, from some other tribal source, another group headed by Arthur, the god Artaius. He takes the place of Gwydion son of Dōn, and the other deities of his circle fall more or less accurately into the places of others of the earlier circle. The accompanying genealogical plans are intended to help the reader to a general view of the relationships and attributes of these personages. It must be borne in mind, however, that these tabular arrangements necessarily involve an appearance of precision and consistency which is not reflected in the fluctuating character of the actual myths taken as a whole. Still, as a sketch-map of a very intricate and obscure region, they may help the reader who enters it for the first time to find his bearings in it, and that is the only purpose they propose to serve.
Gwyn ap Nudd
The deity named Gwyn ap Nudd is said, like Finn in Gaelic legend,[221] to have impressed himself more deeply and lastingly on the Welsh popular imagination than any of the other divinities. A mighty warrior and huntsman, he glories in the crash of breaking spears, and, like Odin, assembles the souls of dead heroes in his shadowy kingdom, for although he belongs [pg 353] to the kindred of the Light-gods, Hades is his special domain. The combat between him and Gwythur ap Greidawl (Victor, son of Scorcher) for Creudylad, daughter of Lludd, which is to be renewed every May-day till time shall end, represents evidently the contest between winter and summer for the flowery and fertile earth. “Later,” writes Mr. Charles Squire, “he came to be considered as King of the Tylwyth Teg, the Welsh fairies, and his name as such has hardly yet died out of his last haunt, the romantic vale of Neath.... He is the Wild Huntsman of Wales and the West of England, and it is his pack which is sometimes heard at chase in waste places by night.”[222] He figures as a god of war and death in a wonderful poem from the “Black Book of Caermarthen,” where he is represented as discoursing with a prince named Gwyddneu Garanhir, who had come to ask his protection. I quote a few stanzas: the poem will be found in full in Mr. Squire's excellent volume: