“They say that the barbarians who live in the ocean [Britons] pour these colours upon heated brass, and that they adhere, become hard as stone, and preserve the designs that are made upon them.”
Dr. J. Anderson writes in the “Proceedings of the Society of Antiquaries of Scotland”:
“The Gauls as well as the Britons—of the same Celtic stock—practised enamel-working before the Roman conquest. The enamel workshops of Bibracte, with their furnaces, crucibles, moulds, polishing-stones, and with the crude enamels in their various stages of preparation, have been recently excavated from the ruins of the city destroyed by Caesar and his legions. But the Bibracte enamels are the work of mere dabblers in the art, compared with the British examples. The home of the art was Britain, and the style of the pattern, as well as the association in which the objects decorated with it were found, demonstrated with certainty that it had reached its highest stage of indigenous development before it came in contact with the Roman culture.”[17]
The National Museum in Dublin contains many superb examples of Irish decorative art in gold, bronze, [pg 31] and enamels, and the “strong Celtic tinge” of which Mr. Romilly Allen speaks is as clearly observable there as in the relics of Hallstatt or La Tène.
Everything, then, speaks of a community of culture, an identity of race-character, existing over the vast territory known to the ancient world as “Celtica.”
Celts and Germans
But, as we have said before, this territory was by no means inhabited by the Celt alone. In particular we have to ask, who and where were the Germans, the Teuto-Gothic tribes, who eventually took the place of the Celts as the great Northern menace to classical civilisation?
They are mentioned by Pytheas, the eminent Greek traveller and geographer, about 300 B.C., but they play no part in history till, under the name of Cimbri and Teutones, they descended on Italy to be vanquished by Marius at the close of the second century. The ancient Greek geographers prior to Pytheas know nothing of them, and assign all the territories now known as Germanic to various Celtic tribes.
The explanation given by de Jubainville, and based by him on various philological considerations, is that the Germans were a subject people, comparable to those “un-free tribes” who existed in Gaul and in ancient Ireland. They lived under the Celtic dominion, and had no independent political existence. De Jubainville finds that all the words connected with law and government and war which are common both to the Celtic and Teutonic languages were borrowed by the latter from the former. Chief among them are the words represented by the modern German Reich, empire, Amt, office, and the Gothic reiks, a king, all of which are of unquestioned Celtic origin. De Jubainville also numbers among loan words from Celtic [pg 32] the words Bann, an order; Frei, free; Geisel, a hostage; Erbe, an inheritance; Werth, value; Weih, sacred; Magus, a slave (Gothic); Wini, a wife (Old High German); Skalks, Schalk, a slave (Gothic); Hathu, battle (Old German); Helith, Held, a hero, from the same root as the word Celt; Heer, an army (Celtic choris); Sieg, victory; Beute, booty; Burg, a castle; and many others.
The etymological history of some of these words is interesting. Amt, for instance, that word of so much significance in modern German administration, goes back to an ancient Celtic ambhactos, which is compounded of the words ambi, about, and actos, a past participle derived from the Celtic root AG, meaning to act. Now ambi descends from the primitive Indo-European mbhi, where the initial m is a kind of vowel, afterwards represented in Sanscrit by a. This m vowel became n in those Germanic words which derive directly from the primitive Indo-European tongue. But the word which is now represented by amt appears in its earliest Germanic form as ambaht, thus making plain its descent from the Celtic ambhactos.