"The style seemed to me a strangely familiar one in which to address his employer. But Cleon was not a man to do anything without a motive. In the present case he doubtless knew thoroughly what he was about.
"I took the pass-key, opened and went through the first and second rooms, and knocked at the door of the third. 'Enter,' said the voice of M. Platzoff from within. Then in the most respectful tone I could summon for the occasion I repeated the formula composed for me by Cleon. There was complete silence for full two minutes. Then M. Platzoff spoke. 'Come in,' he said, 'and let me see who you are.' I unlocked and opened the door, and then stood for a few moments on the threshold. The room was nearly in total darkness. The venetians were down and thick curtains drawn in front of them. A faint sickly odour came through the doorway like that of some strongly aromatic drug. 'Come forward and open the blinds,' said a peremptory voice from the bed. I obeyed, and let in the cheerful daylight. 'I have a line from Mr. Cleon for you, sir,' I said, 'if you will kindly read it.' 'Give it me here,' he said. 'Cleon ill! The world must be coming to an end. I thought that fellow was made of cast-iron and could never get out of order.'
"I gave him the note. He opened it and read it with the assistance of his eyeglass. I seized the opportunity for a quiet glance round. If I were an upholsterer, my dear dad, which, thank goodness, I am not, I would draw you up a brief inventory of the contents of M. Platzoff's bedroom. As circumstances are, I can only say that it was by far the most elegantly-fitted sleeping room which it had ever been my fortune to enter. In parenthesis I may remark, that in passing through the smoke-room I had been much struck with the richness and elegance of its decorations. It is fitted up in a semi-Oriental fashion, and except that everything in it is real and of the best quality, it looks more like a theatrical apartment fitted up for stage purposes than a real room in a country gentleman's house. Since that time I have become familiarized with the entire suite, and have picked up one or two ideas for interiors which may prove of service to my friend Davis of the Tabard.
"With an impatient 'Pish!' M. Platzoff tossed the note from him as soon as he had mastered its contents. He cut quite a comical figure as he lay there, his yellow skin looking yellower than ordinary in contrast with the white bed-furniture. His wizened face puckered into a scowl of perplexity. His blue-black chin-tuft rough and out of shape, and his cheeks and upper lip grimy for want of a razor. A conical nightcap like an extinguisher on his head, and his robe-de-nuit fal-lal'd with lace, as though he were some dainty bride of twenty. I could have laughed outright, but I took care to do nothing of the kind.
"'What is your name, sir? and how long have you been at Bon Repos?' he demanded, with a sort of contemptuous anger in his voice.
"'My name is James Jasmin, sir, at your service; and I have been here just one month.'
"'One month! one month!' he shrieked. 'Then what, in the fiend's name, does Cleon mean by writing that he has implicit confidence in you? Who are you? and where do you come from? How can one have implicit confidence in a man whom one has only known for four weeks? Cleon must take me for a fool.'
"'My name I have already told you, sir. Before coming here, I was in service with Mr. Madgin, of Dupley Walls.'
"M. Platzoff's face turned from yellow to green as I uttered these words. 'From Dupley Walls, did you say?' he gasped; 'from Dupley Walls in Midlandshire?'
"'That is the place, sir.' He evidently knew something about Dupley Walls, but how much or how little, was the question. I felt myself on the brink of an abyss. Was I about to be kicked out of Bon Repos as an impostor?