VI.
THE TURNING-POINT.
The "storm and stress" period of Charlotte Brontë's life was not what the world believes it to have been. Like the rest of our race, she had to fight her own battle in the wilderness, not with one devil, but with many; and it was this sharp contest with the temptations which crowd the threshold of an opening life which made her what she was. The world believes that it was under the parsonage roof that the author of "Jane Eyre" gathered up the precious experiences which were afterwards turned to such good account. Mrs. Gaskell, who was carried away by her honest womanly horror of hardened vice, gives us to understand that the tragic turning-point in the history of the sisters was connected with the disgrace and ruin of their brother. We are even asked to believe that but for the folly of a single woman, whom it is probable that Charlotte never saw, "Currer Bell" would never have taken up her pen, and no halo of glory would have settled on the scarred and rugged brows of prosaic Haworth.
It is not so. There may be disappointment among those who have been nurtured on the traditions of the Brontë romance when they find that the reality is different from what they supposed it to be; some shallow judges may even assume that Charlotte herself loses in moral stature when it is shown that it was not her horror at her brother's fall which drove her to find relief in literary speech. But the truth must be told; and for my part I see nothing in that truth which affects, even in an infinitesimal degree, the fame and the honour of the woman of whom I write.
It was Charlotte's visit to Brussels, then, first as pupil and afterwards as teacher in the school of Madame Héger, which was the turning-point in her life, which changed its currents, and gave to it a new purpose and a new meaning. Up to the moment of that visit she had been the simple, kindly, truthful Yorkshire girl, endowed with strange faculties, carried away at times by burning impulses, moved often by emotions the nature of which she could not fathom, but always hemmed in by her narrow experiences, her limited knowledge of life and the world. Until she went to Belgium, her sorest troubles had been associated with her dislike to the society of strangers, her heaviest burden had been the necessity under which she lay of tasting that "cup of life as it is mixed for governesses" which she detested so heartily. Under the belief that they could qualify themselves to keep a school of their own if they had once mastered the delicacies of the French and German languages, she and Emily set off for this sojourn in Brussels.
One may be forgiven for speculating as to her future lot had she accepted the offer of marriage she received in her early governess days, and settled down as the faithful wife of a sober English gentleman. In that case "Shirley" perhaps might have been written, but "Jane Eyre" and "Villette" never. She learnt much during her two years' sojourn in the Belgian capital; but the greatest of all the lessons she mastered whilst there was that self-knowledge the taste of which is so bitter to the mouth, though so wholesome to the life. Mrs. Gaskell has made such ample use of the letters she penned during the long months which she spent as an exile from England, that there is comparatively little left to cull from them. Everybody knows the outward circumstances of her story at this time. For a brief period she had the company of Emily; and the two sisters, working together with the unremitting zeal of those who have learned that time is money, were happy and hopeful, enjoying the novel sights of the gay foreign capital, gathering fresh experiences every day, and looking forward to the moment when they would return to familiar Haworth, and realise the dream of their lives by opening a school of their own within the walls of the parsonage. But then Emily left, and Charlotte, after a brief holiday at home, returned alone. Years after, writing to her friend, she speaks of her return in these words: "I returned to Brussels after aunt's death against my conscience, prompted by what then seemed an irresistible impulse. I was punished for my selfish folly by a total withdrawal for more than two years of happiness and peace of mind." Why did she thus go back "against her conscience?" Her friends declared that her future husband dwelt somewhere within sound of the chimes of St. Gudule, and that she insisted upon returning to Brussels because she was about to be married there. We know now how different was the reality. The husband who awaited her was even then about to begin his long apprenticeship of love at Haworth. Yet none the less had her spirit, if not her heart, been captured and held captive in the Belgian city. It is not in her letters that we find the truth regarding her life at this time. The truth indeed is there, but not all the truth. "In catalepsy and dread trance," says Lucy Snowe, "I studiously held the quick of my nature…. It is on the surface only the common gaze will fall." The secrets of her inner life could not be trusted to paper, even though the lines were intended for no eyes but those of her friend and confidante. There are some things, as we know well, that the heart hides as by instinct, and which even frank and open natures only reveal under compulsion. Writing to her friend from Brussels in October, 1843, she says: "I have much to say, Ellen; many little odd things, queer and puzzling enough, which I do not like to trust to a letter, but which one day, perhaps, or rather one evening, if ever we should find ourselves again by the fireside at Haworth, or at B——, with our feet on the fender, curling our hair, I may communicate to you." One of the hardest features of the last year she spent at Brussels was the necessity she was under of locking all the deepest emotions of her life within her own breast, of preserving the calm and even cold exterior, which should tell nothing to the common gaze, above the troubled, fevered heart that beat within.
When do you think I shall see you?—she cries to her friend within a few days of her final return to Haworth—I have, of course, much to tell you, and I dare say you have much also to tell me—things which we should neither of us wish to commit to paper…. I do not know whether you feel as I do, but there are times now when it appears to me as if all my ideas and feelings, except a few friendships and affections, are changed from what they used to be. Something in me which used to be enthusiasm is tamed down and broken. I have fewer illusions. What I wish for now is active exertion—a stake in life. Haworth seems such a lonely, quiet spot, buried away from the world. I no longer regard myself as young; indeed, I shall soon be twenty-eight, and it seems as if I ought to be working and braving the rough realities of the world, as other people do. It is, however, my duty to restrain this feeling at present, and I will endeavour to do so.
Yes; she was "disillusioned" now, and she had brought back from Brussels a heart which could never be quite so light, a spirit which could never again soar so buoyantly, as in those earlier years when the tree of knowledge was still untasted, and the mystery of life still unrevealed. This stay in Belgium was, as I have said, the turning-point in Charlotte Brontë's career, and its true history and meaning is to be found, not in her "Life" and letters, but in "Villette," the master-work of her mind, and the revelation of the most vivid passages in her own heart's history. "I said I disliked Lucy Snowe," is a remark which Mrs. Gaskell innocently repeats in her memoir of Charlotte Brontë. One need not be surprised at it. Lucy Snowe was never meant to be liked—by everybody; but none the less is Lucy Snowe the truest picture we possess of the real Charlotte Brontë; whilst not a few of the fortunes which befell this strange heroine are literal transcripts from the life of her creator. One little incident in "Villette"—Lucy's impulsive visit to a Roman Catholic confessor—is taken direct from Charlotte's own experience. During one of the long lonely holidays in the foreign school, when her mind was restless and disturbed, her heart heavy, her nerves jarred and jangled, she fled from the great empty schoolrooms to seek peace in the street; and she found, not peace perhaps, but sympathy at least, in the counsels of a priest, seated at the Confessional in a church into which she wandered, who took pity on the little heretic, and soothed her troubled spirit without attempting to enmesh it in the folds of Romanism. It was from experiences such as these, with a chastened heart and a nature tamed down, though by no means broken, that she returned to familiar Haworth, to face "the rough realities of the world."
Rough, indeed, those realities were in her case. Her brother, once the hope of the family, had now become its burden and its curse; and from that moment he was to be the prodigal for whom no fatted calf would ever be killed. Her father was fast losing his eyesight; she and her sisters were getting on in life, and "something must be done." Charlotte had returned home, but her heart was still in Brussels, and the wings of her spirit began to beat impatiently against the cage in which she found herself imprisoned. It was only the old story. She had gone out into the world, had tasted strange joys, and drunk deep of waters the very bitterness of which seemed to endear them to her. Returning to Haworth she went back a new woman, with tastes and hopes which it was hard to reconcile with the monotony of life in the parsonage which had once satisfied her completely.
"If I could leave home I should not be at Haworth," she says soon after her return. "I know life is passing away, and I am doing nothing, earning nothing; a very bitter knowledge it is at moments, but I see no way out of the mist." And then, almost for the first time in her life, something like a cry of despair goes up from her lips: "Probably, when I am free to leave home, I shall neither be able to find place nor employment. Perhaps, too, I shall be quite past the prime of life, my faculties will be wasted, and my few acquirements in a great measure forgotten. These ideas sting me keenly sometimes; but whenever I consult my conscience, it affirms that I am doing right in staying at home, and bitter are its upbraidings when I yield to an eager desire for release."