Memoirs of Sir Wemyss Reid 1842-1885

by T. Wemyss Reid

There never was a man who stood the sharp test of prosperity better than did Black. When we first became intimate he was just beginning to be known, but within a year or two from that time he had become the most popular of English novelists, and had become famous throughout the civilised world. Obscure or famous, he was just the same. To a rare simplicity of manner he added a chivalrousness of spirit that was almost an inspiration to those who were brought into contact with him. As a friend he scarcely had an equal. In all the affairs of life he would make his friend's cause his own, and fight for it with an energy and enthusiasm that few men are capable of showing, even on behalf of their own interests. At a time, for example, when he was deep in the writing of one of his own greatest novels, he voluntarily undertook the work of a dying friend as a contributor to the Press, in order to ensure the payment of his salary to the end of his life. I remember meeting him once on his way to that friend's room, carrying in one hand a hare and in the other a can containing some soup or other delicacy. He was very particular about his appearance, always smart in his dress, and rigorously observant of the social convenances; yet these characteristics did not prevent his walking through the streets of London on a summer afternoon laden in this fashion. My first dinner with him was at the Pall Mall Club, in Waterloo Place, at the end of 1873. He had another young man of our own age to share the entertainment, and behind his back he spoke of this young man—who was, like himself, a Scotsman—with an enthusiastic admiration. He was an artist who had just come up to try his fortune in London, and that fortune, Black declared, could be nothing less than the Academy. He was right, for the man who made the third at that little dinner-party was the late Colin Hunter, A.R.A.

Black lived in those days in a roomy, old-fashioned house in Camberwell Grove; and here, in course of time, I spent many a pleasant evening with him. His second wife, a charming North-country lady, was, as most now know, the original of "The Princess of Thule," the heroine of the book of that name, and the portrait was far more true to life than most sketches of heroines drawn from reality are. Black's mother, a kindly old Scotswoman, justly proud of her son, was another inmate of the house. It was from her I learned that Coquette, the bewitching creature who plays the chief part in "A Daughter of Heth," had for her original Black's first wife. I discovered for myself that the author was the original of "The Whaup," and when I taxed him with it he did not deny the fact. One evening, after dinner at Camberwell Grove, we went for a walk together. When we reached the top of the Grove he drew my attention to a pleasant little villa standing in its own ground. "James Drummond," he said, "lives there." I wondered who James Drummond was, but said nothing. By-and-bye, as we pursued our way, he pointed out other houses, and told me the names of their occupants, all utterly unknown to me. At last I said, "Who are these people, Black? I don't know one of them." "You soon will know them, though, my boy," he answered. "Just wait and see if you don't." And sure enough, when "Madcap Violet" appeared, all the unknown personages of that night-walk at Camberwell were straightway revealed to me.

Black had an artist's eye and the soul of a poet. In general company he was shy and ill at ease. If he talked at all to strangers, he talked with nervous volubility, and too often perhaps with little meaning. In this respect he reminded one of Goldsmith. But when he was with a friend, and could open his heart freely, he gave you glimpses of a most beautiful nature, a noble sense of chivalry, and the keenest eye in the world for catching those gleams of spiritual light that sometimes illuminate even the dullest of the bare realities of life. He was always sketching his friends, and making them figure in his stories; but he did it in such a fashion that the person drawn never recognised his portrait. He once admitted that he had made use of me as a lay-figure in his literary studio, but I was never able to discover by what character I was supposed to be represented. As a rule, he was much too kind to his friends when drawing their portraits, for he liked to think the best and say the best of a man. Only once in my long friendship with him did I know him to exercise his power of making a man whom he disliked appear odious in his pages. But this particular person was so odious in reality that everybody felt that Black had only done him justice. Of course, Black was careful to give no clue to the identity of the disagreeable man which could be of the slightest use to the general reader. A few of us knew perfectly well who was meant, but that was all. Unfortunately, the particular story in which this person figured was first published serially in an illustrated magazine, and by some extraordinary chance—or mischance—the artist, in depicting the disagreeable man, drew a portrait of the actual original that was positively startling in its likeness. No one who knew him opened the magazine without saying at once, "Why, here's a portrait of So-and-so." And yet the likeness was absolutely accidental. Black assured me that the artist knew nothing of the original disagreeable man, and had never even seen him. It was all a freak of the long arm of coincidence.

I do not know whether I may not be boring my readers in telling these little stories about works of fiction which they may never have read or have cared to read. Yet those of us who can recall the refreshment and delight which Black's earlier books spread amongst us will never allow that the shadow of eclipse that now lies upon his literary fame is either deserved or likely to prove lasting. No novelist of his century—alas! this new century has begun without William Black—had his power of painting a woman's heart and soul, or his deft grace in making the portrait at once real and ideal. I do not wish to overpraise, but the man who could draw Coquette, and Sheila, and Madcap Violet was, I hold, a master in his craft. That he was, in a very literal sense, an artist in words, is universally admitted. There are passages in his writings which, in their power of conjuring up before the mind of the reader the scenes they describe, are not surpassed by anything that Ruskin himself ever wrote. The fact is that Black's sympathies drew him more strongly to art than to literature. If he could have had his way, I think he would rather have been a great painter than a great writer, and certainly he always loved the company of artists better than that of journalists and men of letters. He was most at his ease in the studios of his friends. He was never so full of an eager, effervescent happiness as at the private view at the Academy, when, seizing you by the arm, he would lead you from picture to picture, pointing out the merits of each, and ending up by introducing you to the artist. The artists, on their side, held him in no common esteem, and long regarded him as first of those among the writers of the day who had a real appreciation of and sympathy with art.

I must leave Black for the present, however, and return to Leeds, and the events of 1874. My special wire and London arrangements had not been long in existence before they received a most unexpected justification. One night in February, 1874, when seated in my editor's room, I received over the private wire a telegram that took my breath away. It was from our London sub-editor, announcing that Parliament was to be dissolved immediately, and that Mr. Gladstone had written a long address to the electors of Greenwich, explaining his policy and intentions. My informant added that this startling news was still a profound secret in London, and that in all probability no other newspaper in Yorkshire would get possession of it. Everybody interested in our political history now knows the story of that bolt from the blue. It came with absolute unexpectedness, and some even of Mr. Gladstone's own colleagues in the Cabinet were taken by surprise. I know, at all events, of one member of the Ministry who was staying at the time in a country house in Yorkshire, and who, when the Leeds Mercury, with its announcement of the dissolution and the long address of Mr. Gladstone to the Greenwich electors, was brought to him, insisted that the paper must have been hoaxed. Mr. Gladstone had kept his secret so well that at six o'clock on the evening of the day on which he penned his manifesto there were not twenty people in all England who knew what was about to happen. So far as the Leeds Mercury was concerned, this startling step ensured for it a great success. No other newspaper in Yorkshire—and, if I remember rightly, only one other provincial paper in England—was able to announce the great event. The Mercury accompanied the manifesto with a "double-leaded" leader, and of course made the most of so precious a piece of news. Those who doubted the wisdom of the increased expenditure to which I had induced the proprietors of the paper to consent, doubted no longer.

The General Election which followed immediately upon the dissolution was a short but very bitter contest. It ended in the rout of the Liberal party, a rout almost as signal and complete as that which befel it twenty-one years later, in 1895. Mr. Disraeli, who had been nowhere at the polls in 1868, was suddenly swept into the highest place by those "harassed interests" which Mr. Gladstone's great administration had offended by a policy that Disraeli described as one of "plundering and blundering." It was, in reality, a policy which preferred the interests of the nation to those of the privileged classes. In Leeds, where I had now, for the first time as editor of a daily newspaper, to taste the doubtful joys of a General Election, a fight of extraordinary vehemence was waged.

Leeds was one of the three-cornered constituencies created by the Reform Bill of 1867, and its representatives at the time of the dissolution were Sir Edward Baines, Mr. Carter, an advanced Radical, very popular with the working-classes, and Mr. Wheelhouse, a Conservative barrister. Sir Edward Baines was the only one of the three who had achieved a Parliamentary reputation. He had represented Leeds for fifteen years, and he was recognised as its principal citizen by the community at large. He was a total abstainer and an ardent advocate of temperance reform, but in the eyes of the fanatical supporters of the Permissive Bill he had committed the unpardonable sin in giving his adherence to Mr. Bruce's measure. So, in spite of his character and his public services, they brought out against him one of the agents of the United Kingdom Alliance. The Tories had brought out a local gentleman named Tennant as their second candidate. He was a man of many occupations, including that of a brewer. The fight which followed was the most bitter in which I have ever been engaged. Practically, Edward Baines stood alone, getting no help from Carter. The Liberal party had fallen to pieces, and Edward Baines, as a supporter of the Government, had to bear the weight of the offence given both to the Radical Nonconformists and to the rabid teetotallers. The Alliance candidate must have known that he had no chance of winning the seat, but he persisted in his opposition to Sir Edward Baines, though the effect of defeating him would be to secure the election of the local brewer. Such are the extremes to which men allow themselves to be carried at times of excitement. The end of the struggle was the defeat of Sir Edward Baines, and the return of Carter, Wheelhouse, and Tennant. What happened in Leeds happened in a great many other places. The teetotallers deliberately wrecked the only Government which was prepared to reform the licensing system. They have had more than a quarter of a century in which to repent their folly.

It was, of course, in the Leeds election that I felt the deepest personal interest; but the Mercury had to take note of all the elections in Yorkshire, and some of these were of special interest. At Sheffield a candidate came forward in the extreme Radical interest whose speeches attracted some notice in Yorkshire, though they passed unobserved by the larger public beyond. This was Mr. Joseph Chamberlain, who now made his first attempt to win Parliamentary honours. Up to that moment I had only known Mr. Chamberlain as a young Birmingham politician who was fond of saying things both bitter and flippant, not only about his political opponents, but about the older members of his own party. He had made himself one of the buglemen in the cry raised against Mr. Forster, towards whom he seemed to entertain a feeling of almost personal antipathy. At Sheffield he made himself conspicuous by his sneers at Mr. Gladstone and almost all the recognised leaders of Liberalism. His own political opinions appeared to be based upon a crude and intolerant Radicalism of the Socialistic type. He evidently believed that promises of material benefits would enable him to win the support of the mass of the electors, and he conceived also that the best method of displacing his seniors in the party of which he was a member was to assail them with a rather coarse invective. These methods did not commend themselves to the electors of Sheffield, and Mr. Chamberlain was soundly beaten. But he had great ability, accompanied by great force of character, and all the world knows how his ability and forcefulness have since carried him to one of the highest places in political life. It is, however, not as a Radical, but as a militant Tory that he now figures before the world.

I should not have dwelt upon the Sheffield election of 1874 but for the fact that it was this election which made me one of Mr. Chamberlain's political opponents. I did not like the way in which he spoke of men who had been serving the country before he himself was born; and, without questioning his honesty, I came to the conclusion that personal ambition played a large part in his political professions. It followed that from 1874 onwards the Leeds Mercury was never friendly to Mr. Chamberlain, and never gave him its confidence, even at a time when he was the idol of English Radicalism. For years I had to suffer because of this attitude towards the Birmingham politician; and many a time, when I have been sitting on the platform at a political meeting in Leeds, some speaker has inveighed fiercely against me because of my want of faith in Mr. Chamberlain. I had my revenge in 1885, when the Leeds Liberals swung round to my view of that gentleman, and I was hailed—quite undeservedly—as a prophet because I had always distrusted one whom they now not only distrusted, but disliked and despised.

Let me say, before leaving Mr. Chamberlain, that I still consider that the worst blot upon his political career was the manner in which he treated Mr. Forster. No doubt his dislike of Mr. Forster was in the first instance inspired by his repugnance to the Education Act; but I cannot help saying that in later years it degenerated into what, at any rate, looked like a feeling of antipathy towards the man who, at that time, was regarded as standing high in the succession to Mr. Gladstone as leader of the Liberal party. When I come to deal with the events of 1882, I shall have something to say of the part which Mr. Chamberlain played towards Mr. Forster in the painful events which issued in the latter's withdrawal from Mr. Gladstone's second Administration.