LIST OF DESCRIPTIVE LINES TO THE PLATES
- [FRONTISPIECE]Facing Title
- A Long-trained Muslin Dress, about 1800.
- [PLATE I]Facing p. 39
- Boots and Shoes from the Fourteenth to Nineteenth Century.
- [PLATE II]Facing p. 42
- A. Elizabethan Robe in Plush, 1585-1605.
- B. Elizabethan Robe in Silk Brocade, 1565-85.
- C. Elizabethan Male Robe in Velvet Brocade, 1580-1615.
- D. Back-piece of Elizabethan Doublet in Embroidered Linen, 1580-1605.
- [PLATE III]Facing p. 55
- A. Elizabethan Jump (or Jacket), about 1600.
- B. Portrait of Lady in Embroidered Costume, between 1620 and 1640.
- [PLATE IV]Facing p. 58
- C. Youth's Jacket of Linen embroidered in Worsted, 1635-65.
- D. Linen Male Jacket embroidered with Gold and Silk, 1600-40.
- [PLATE V]Facing p. 71
- A. Jerkin—Period James I.
- B. Lady's Bodice of Slashed and Vandyked Satin, 1635-50.
- C. Jerkin of Embroidered Linen, 1630-60.
- D. Jerkin of Embroidered Linen, 1580-1635.
- [PLATE VI]Facing p. 74
- A. Collar and Cuffs set with Lace, 1600-30.
- B. Embroidered Leather Jerkin, 1620-1640.
- C. Top of Stocking, Embroidered Linen, 1625-50.
- [PLATE VII]Facing p. 87
- A. Herald's Coat, Embroidered Velvet and Silk, First Half Seventeenth Century.
- B. Lady's Bodice of Black Velvet, 1630-60.
- C. Black Silk Jerkin, 1640-50.
- [PLATE VIII]Facing p. 90
- A., B., C. Three Suits—Period Charles II.
- [PLATE VIIIA]Facing p. 103
- A. Suit of Embroidered Silk, 1610-30.
- B. Three Sword-hangers Embroidered in Gold, Charles II.
- C. Braided Suit, 1670-90.
- [PLATE IX]Facing p. 106
- A. Lady's Embroidered Silk Jacket, 1605-20.
- B. Lady's Bodice of Silk Brocade, 1680-1700.
- [PLATE X]Facing p. 119
- A. Black Velvet Bodice, 1600-25.
- B. Five Embroidered Waistcoats, between 1690 and 1800.
- [PLATE XI]Facing p. 122
- Sixteen Leather Boots and Shoes, between 1535 and 1850.
- [PLATE XII]Facing p. 135
- A. Lady's Outdoor Costume, 1785-95.
- B. Costume, Early Eighteenth Century.
- C. Silk Brocade Dress, 1760-80.
- [PLATE XIII]Facing p. 138
- A. Silk Coat, 1735-55.
- B. Brocade Silk Coat, 1745-60.
- C. Embroidered Cloth Coat, 1770-90.
- [PLATE XIV]Facing p. 151
- A. Embroidered Silk Dress with Pannier, 1765-80.
- B. Brocade Dress and Quilted Petticoat, 1750-65.
- [PLATE XV]Facing p. 154
- A. White Cloth Coat, 1775-90.
- B. Silk Dress, 1740-60.
- C. Embroidered Velvet Coat, 1753-75.
- [PLATE XVI]Facing p. 167
- A. Silk Brocade Dress, 1740-60.
- B. Silk Brocade Sack-back Dress, 1755-1775.
- C. Dress of Striped Material, 1755-85.
- [PLATE XVII]Facing p. 170
- A. Silk Suit, 1765-80.
- B. Quilted Dress, 1700-25.
- C. Silk Embroidered Suit, 1765-80.
- [PLATE XVIII]Facing p. 183
- A. Brocade Bodice, 1770-85.
- B. Flowered Silk Dress, 1750-70.
- C. Silk Brocade Bodice, 1780-95.
- [PLATE XIX]Facing p. 186
- A. Silk Brocade Dress, 1775-85.
- B. Embroidered Silk Jacket, 1775-90.
- C. Brocade Jacket, 1780-95.
- [PLATE XX]Facing p. 199
- A. Gold-embroidered Muslin Dress, 1795-1805.
- B. Nine Aprons, between 1690 and 1750.
- C. Dress of Spotted Stockinette, 1795-1808.
- [PLATE XXI]Facing p. 202
- Twenty-three Boots and Shoes, from 1800 to 1875.
- [PLATE XXII]Facing p. 215
- A. Linen Dress, 1795-1808.
- B. Silk Bodice, 1825-30.
- C. Silk Bodice, 1818-25.
- [PLATE XXIII]Facing p. 218
- A. Muslin Dress with Tinsel Design, 1798-1810.
- B. Silk Dress, Period George IV.
- C. Satin and Gauze Dress, 1820-30.
- [PLATE XXIV]Facing p. 231
- A. Outdoor Silk Jacket, 1798-1808.
- B. Embroidered Muslin Bodice, 1816-1830.
- C. Embroidered Muslin Bodice, 1824-1825.
- D. Satin and Gauze Bodice, 1820-30.
- [PLATE XXV]Facing p. 234
- A. Silk Dress, 1800-10.
- B. Cotton Dress, 1800-10.
- C. Embroidered Muslin Dress, 1820-30.
- D. Silk Gauze Dress, 1824-30.
- [PLATE XXVI]Facing p. 247
- A. Morning Coat of Chintz, 1825-45.
- B. Cloth Coat, 1808-20.
- C. Cloth Overcoat, 1820-35.
- [PLATE XXVII]Facing p. 250
- Outdoor Silk Dress, 1825-35.
- [PLATE XXVIII]Facing p. 259
- A. Silk Pelisse, 1820-30.
- B. Cotton Dress, 1830-40.
- C. Silk Spencer and Cape, 1818-27.
- [PLATE XXIX]Facing p. 263
- A. Embroidered Silk Gauze Dress, 1820-30.
- B. Gauze Dress with Appliqued Design, 1825-35.
- C. Printed Linen Outdoor Dress, 1827-1847.
- [PLATE XXX]Facing p. 266
- A. Printed Silk Bodice, 1840-50.
- B. Gathered Linen Bodice, 1837-47.
- C. Silk Bodice and Bertha, 1845-55.
- [PLATE XXXI]Facing p. 270
- A. Embroidered Muslin Outdoor Dress, 1855-65.
- B. Riding Habit, 1845-75.
- C. Gauze Ball Dress, 1840-55.
- [PLATE XXXII]Facing p. 279
- A. Silk Dress, 1860-70.
- B. Gauze Walking Dress, 1850-60.
- C. Silk Dress, 1848-58.
- [PLATE XXXIII]Facing p. 282
- A. Silk Dress with Court Train, 1828-1838.
- B. Silk Afternoon Dress, 1872-78.
- C. Silk Coat and Skirt, 1855-56.
DRESS DESIGN
Plates originally printed in collotype are now produced in half-tone
INTRODUCTION
The subject of Historical Costume covers such a multitude of detail that a volume on each century could be written, with hundreds of illustrations. Thus it is, most works on costume are expensive and bewildering; but I hope this small practical handbook will be a useful addition to the many beautifully illustrated works which already exist.
I have divided the matter into centuries and reigns, as far as possible, in this small work, besides separating male and female attire, thus simplifying reference. A special feature has also been made, of supplying the maker or designer of dress with actual proportions and patterns, gleaned from antique dresses, as far back as they could be obtained; and I am much indebted to the authorities at the Victoria and Albert Museum for the permission given me to examine and measure their unique specimens; also to Mr. Wade, Mr. G. G. Kilburne, Mr. Duffield, Mr. Box Kingham, Mr. Hill, Mr. Breakespeare, and others, for their valuable assistance with interesting specimens. I have used outline drawings in the text, as being more clear for purposes of explanation. The dates given to the illustrations are to be taken as approximate to the time in which the style was worn. Many of the photographs have been arranged from my own costume collection, which has made so much of my research simple, reliable, and pleasant. I am also happy to state that before the final revision of this book I have heard that my collection of historical costumes and accessories will, after a preliminary exhibition at Messrs. Harrod's, be presented to the Victoria and Albert Museum as a gift to the nation by the Directors of that firm. Thus the actual dresses shown in these plates will find a permanent home in London, and become valuable examples to students of costume. The coiffures in the collotype plates are not to be judged as examples, for it would have consumed far too much time to set up these figures more perfectly, but all the bonnets, caps, and accessories given are genuine examples.
In a book of this size, one cannot go into the designs of materials, &c., which is a study any earnest student would not neglect, but in this connection I would draw attention to the comparative colour density and proportion of designs chosen for various effects.
It has been my endeavour to arrange a greater variety of the forms which make up the characters of each period, and also to give a wider knowledge into the footwear, or details of the footwear, than is usual in most costume books.