The hair was now mounted high on top and the front parted with two curls, the rest of the hair being bound on top, or a curl was arranged on either shoulder. A goffered frill head-dress, set on a cap, rose very high, and a long fall of lace, or lappets, came down on either side from the cap, or was gathered in like a small hood at the back. Bare shoulders now began to disappear, the bodice shape coming over the shoulder to a V shape enclosing a stomacher, which was sometimes tabbed or shaped at the point. Many dresses were made in one length, caught together at the waist with a band; the fronts of these skirts were looped back high up, creating a pannier-like fullness at the hips, and narrow hoops came in to set out the skirts, many of which were heavily embroidered with gold. The Watteau-back dress started in this reign; a very early specimen, at the Victoria and Albert Museum, is most probably of this time (Fig. [85], A). The sleeves worn to the elbow increased in width from the shoulder, and were set with large narrow cuffs gathered with a jewel or bow on the front of the arm. Hoods and cloaks of the same character as described for the last reign continued, and light sticks were carried by the ladies. Very pointed shoes were worn, with large high heels, the top of the front flap in some being shaped into points. Black masks were frequently used, some having long lace falls. Rather small muffs were still the fashion, and beautifully decorated short aprons became a feature with the dress.

Fig. 80.—1688-1698.

SEVENTEENTH CENTURY. WILLIAM AND MARY. MALE.

Wigs of the same long character continued, and were parted in the centre with a raised effect, and variously shaped caps, with turned-up fold or brim, were worn when the wig was taken off.

The beaver or felt hat, turned up three-cornerwise, was now in general use. It is often seen with the brims loose, or sometimes down, especially amongst the lower classes. Both small shapes and large were worn.

[larger image]