It was a musty smelling entrance, so dark that to see was scarcely possible after the hot glare outside. Dimly King made out Rewa Gunga mounting stairs to the left and followed him. The stairs wound backward and forward on themselves four times, growing scarcely any lighter as they ascended, until, when he guessed himself two stories at least above road level, there was a sudden blaze of reflected light and he blinked at more mirrors than he could count. They had been swung on hinges suddenly to throw the light full in his face.
There were curtains reflected in each mirror, and little glowing lamps, so cunningly arranged that it was not possible to guess which were real and which were not. Rewa Gunga offered no explanation, but stood watching with quiet amusement. He seemed to expect King to take a chance and go forward, but if he did he reckoned without his guest. King stood still.
Then suddenly, as if she had done it a thousand times before and surprised a thousand people, a little nut-brown maid parted the middle pair of curtains and said “Salaam!” smiling with teeth that were as white as porcelain. All the other curtains parted too, so that the whereabouts of the door might still have been in doubt had she not spoken and so distinguished herself from her reflections. King looked scarcely interested and not at all disturbed.
Balked of his amusement, Rewa Gunga hurried past him, thrusting the little maid aside, and led the way. King followed him into a long room, whose walls were hung with richer silks than any he remembered to have seen. In a great wide window to one side some twenty women began at once to make flute music.
Silken punkahs swung from chains, wafting back and forth a cloud of sandalwood smoke that veiled the whole scene in mysterious, scented mist. Through the open window came the splash of a fountain and the chattering of birds, and the branch of a feathery tree drooped near by. It seemed that the long white wall below was that of Yasmini's garden.
“Be welcome!” laughed Rewa Gunga; “I am to do the honors, since she is not here. Be seated, sahib.”
King chose a divan at the room's farthest end, near tall curtains that led into rooms beyond. He turned his back toward the reason for his choice. On a little ivory-inlaid ebony table about ten feet away lay a knife, that was almost the exact duplicate of the one inside his shirt. Bronze knives of ancient date, with golden handles carved to represent a woman dancing, are rare. The ability to seem not to notice incriminating evidence is rarer still--rarest of all when under the eyes of a native of India, for cats and hawks are dullards by comparison to them. But King saw the knife, yet did not seem to see it.
There was nothing there calculated to set an Englishman at ease. In spite of the Rangar's casual manner, Yasmini's reception room felt like the antechamber to another world, where mystery is atmosphere and ordinary air to breathe is not at all. He could sense hushed expectancy on every side--could feel the eyes of many women fixed on him--and began to draw on his guard as a fighting man draws on armor. There and then he deliberately set himself to resist mesmerism, which is the East's chief weapon.
Rewa Gunga, perfectly at home, sprawled leisurely, along a cushioned couch with a grace that the West has not learned yet; but King did not make the mistake of trusting him any better for his easy manners, and his eyes sought swiftly for some unrhythmic, unplanned thing on which to rest, that he might save himself by a sort of mental leverage.
Glancing along the wall that faced the big window, he noticed for the first time a huge Afridi, who sat on a stool and leaned back against the silken hangings with arms folded.