A Tibetan make-up man, a master craftsman, spread the tools of his trade on the stage behind the well and took every one in hand in turn under the Lama’s critical supervision. Even Diana had to be touched up; daubs of paint were smeared around her eyes to make them look huge and supernatural, and her ordinary gauntness was enhanced by dark streaks that made her ribs appear to stand out prominently.
Trunks full of costumes were dumped in the wings by methodical, matter-of-fact Tibetans, who seemed to have gone through the same performance scores of times and to know exactly what to do, and when, and how. They dressed the protesting actors more or less by main force, ignoring Maitraya’s protests, pulling, adjusting, stitching, until every costume hung exactly as the Lama said it should. They provided Dawa Tsering with a devil-mask and a suit of dragon-scales—then showed him himself in a mirror, which entirely solved that problem; he liked himself so well in the disguise that he could have acted Hamlet in it. But all he was required to do was to laugh like a fiend at intervals, and to dance on and off stage whenever the Lama signaled from behind the well. He was supposed to be the spirit of the underworld who mocked men’s efforts.
There was no supper; nobody remembered it. Rehearsals continued until they had to lower the curtain because the audience began to straggle in and squat on the matted floor in groups, munching betel-nut. The orchestra tuned up at once. Three quarters of an hour before the curtain was supposed to rise the house was crowded to suffocation. Stunned by the music, which crashed and blared arresting heraldry of doom or something like it (and nothing fascinates as much as doom foretrumpeted) the audience forgot to talk. When the curtain went up slowly as if raised by the last resounding boom of the radongs there was utter silence, in which the thrill behind the women’s gallery grating could almost be felt in the wings.
And at the very last minute, before the king walked on, the Lama, from behind the well, signaled to Dawa Tsering to laugh like a ghoul and dance across the stage. It was inspiration. In a country that believes implicitly in devils, that following the cataclysmic music produced the perfect state of mind in which to watch the play; when Maitraya walked on he was heard with almost agonied attention. There was not a gasp from the audience until it was Diana’s turn to speak, when the Lama croaked her line so comically that even the actors laughed; and, presumably because the gods who guard coincidence approved, she put her head to one side and cocked an ear at the audience.
It brought the house down. It was so exactly timed to break suspense, the marvel that a dog should speak was so astonishing, that an earthquake after that could hardly have called the crowd’s attention to itself. Every spoken word and every move was watched as if earth’s destiny depended on the actors’ lips, and Diana’s three short speeches were received as if some god in the form of an animal were on the stage. When she had spoken about vermin the Lama tickled her with a straw and she scratched herself; and shrill laughter from behind the women’s grille gave evidence that not a gesture of her left hind-foot was missed. When the curtain came down at the end of the prologue the applause out-thundered the orchestra.
“It succeeds!” announced Maitraya, strutting across the stage in the way of the scene-shifters. “I told you so! I said it would! Trust me to know. Acting—good acting—technique can accomplish anything!”
The Lama recognized familiar symptoms and was prompt. He gathered all the actors close around him in the wings and what he said was aimed straight at Maitraya, although he appeared to be watching Dawa Tsering through the corner of his eye:
“That which is not excellent is not good. There shall be no second act, unless I can be sure of more attention to my signals. I am disappointed. If we can do no better before such an audience as this, what could we hope to do in the large cities?”
Dawa Tsering nearly burst the devil-mask with indignation.
“Thou!” he exploded. “Go back to thy monastery! I will entertain these princes and princesses! Hah! This is the greatest success there ever was!”