“Ye mortals, there is no success in jealousy. There is no comfort in complaint. Ye win no excellence by finding fault.”

The applause made the curtain swing and sway but it did not drown the orchestra for quite so long as after the first act. It changed into a buzz of conversation, syncopated, rising from a low note to a higher one in choppy sound-waves of expectancy; and when the curtain rose on the scene by the well at dawn there was silence in which the mouse-note creaking of a door moved by a draught of hot air sounded like whipcracks.

The rising sun would hardly have passed muster with a western audience. It was a thing of gilded wood, on which the strongest electric light available was focused from the wings, but to the eastern mind, long versed in symbolism, it was intelligible, and the fact that mystic signs were painted on its face enhanced its effect. There was no need to tell any one that San-fun-ho had used the magic jade at dawn to restore every one to his original condition. There they all were, grouped before the well, with the dancing girls costumed as members of a village crowd and some Tibetans in the background helping to swell the number.

The whole of that last act belonged to San-fun-ho, who stood before the well with the magic jade in his right hand and, with the rising sun behind him, revealed the mystery of hope and courage. The jade gleamed like a living thing whose light came from within. His voice was like a peal of magic bells rung by the gods who keep the secrets of the dawn. His face was lit with reassuring laughter. His manner was as one who had experienced all emotions and had conquered fear.

It was a long speech; its delivery required ten minutes, but the audience received it as the East receives a benediction always, straining breathlessly to catch the subtleties of meaning, preferring allegories and a proverb now and then to meat and drink.

“. . . Does dawn die? Nay, it passes on. It lives for ever. Dawn is dawn, and never changes. Discontent is discontent; its fruits are of the elements of discontent—all bitter—none can sweeten them. Who wallows in the mire of jealousy, and blames another for the want he feels, may load his bins aburst with golden goods, but he shall know more smarting jealousy and ache with gnawing wants he never guessed.

“But hope—is hope not sweet? And is the fruit of sweetness bitter? Nay. I tell you, Hope is a creative force whose limitless dimensions lie within the boundary of each existing minute. Irresistible, Hope’s magic is accomplished now. It comprehends no lapse of time. Nay! Instant are its dawn, its noon and its accomplishment! Hope, if it is true hope, fills the mind, affording malice and deceitful dread no room. Hope lives in action. All the elements of hope are deeds done now!

“Deeds—the very echoes are the fruit of deeds! One stone laid on another in Hope’s name is greater service to the gods than all the pomp of conquest and the noise of prayer! A deed—who measures it? Who knows the limits of a mended wheel or reckons up the leagues it shall lay underfoot?—what burdens it shall bear?—whose destiny it shall await and serve? A new-born Krishna may descend into the world and ride on it to glories such as earth has never known!

“O people, ye have overpraised calamity! Too much ye have considered night; and not enough have ye observed the dawn! Your hope has died because ye starved it like a pot-bound plant within the shell of envy, in the drought of greed! Too truly ye have longed to gain and to possess; too little ye have hoped to add one gift to each gift-laden moment as it comes!

“Lay one stone on another, and give thanks! Add one deed to another and sing praises to the lords of tide and time who measure the ant’s labors and record kings’ idleness! Sing! Your very song shall vibrate in the universe when ye return to earth a thousand lives from now!”