It was a baffling conundrum why the Lama should go to such pains to present his play in more than sixty towns and villages, and always escape immediately afterward. It was not always the police; he treated the occasional difficulties they presented pretty much as a circus director regards bad weather. He appeared to be much more afraid of the results of his own success, and to run away from that as from a conflagration. Offers of money, prayers, nothing could persuade him to repeat a performance anywhere. The greater a crowd’s importunity, the swifter his flight.
By the time they reached Darjiling Ommony was convinced of two things: that the “Middle Way” is undiscoverable to outsiders, being opened, closed and changed in detail by unknown individuals, obeyed implicitly, who do their own selecting; and that the Lama was himself in receipt of orders from a secret hierarchy.
The latter was almost certainly true. A Ringding Gelong Lama does not rank as high in the Lamaistic scale as a cardinal does in the Roman Catholic Church. Even supposing Tsiang Samdup, as was rumored, was an outlaw who had been turned out of Tibet for schism, that would make it even more unlikely that he could command an extensive spy-system and mysterious service along the “Middle Way” without some long established hierarchy to support him.
And if he were an outlawed heretic, why was it that in Darjiling he went straight to a Tibetan monastery, that opened its doors to the whole party? They arrived at dawn, having ridden all night on mule-back up a winding path that crossed and recrossed the circling railway track, ascending through clouds that wrapped them in wet silence, until dawn shone suddenly through pine trees and the monastery roof glistened a thousand yards ahead of them.
The roar of radongs came down the chilly wind, announcing they were seen. A procession of brown-robed monks filed out to meet them, each monk spinning a prayer-wheel and grinning as he mumbled the everlasting “Om Mani Padme Hum”[[37]] that by repetition bars the door of the various worlds of delusion and permits pure meditation. It seemed to give no offense that Tsiang Samdup and his chela had no prayer-wheels. Maitraya and his actors were as welcome as the rest. Ommony was greeted with child-like grins from oily, slant-eyed Mongolian faces that betrayed no suggestion of suspicion. The dog was chuckled at. Maitraya’s actresses were greeted no more and no less cordially than the rest.
But the chela’s reception was peculiar. The Abbot blessed him solemnly, then stared at him for a long time. From the others there was an air of deference; a peculiar form of treating him as a mere chela, with an attitude of deep respect underlying it and not nearly concealed. They exchanged glances and nodded, formed a group around him, regarding him with curiosity, and with something akin to awe. The chela appeared more disposed to be friendly than distant, but kept a deliberate course midway between the two extremes, watched all the while intently by the Lama, who finally leaned on his shoulder and almost hustled him in through the gate.
Once within the monastery wall Ommony was led away to a cell high up under a gabled roof, where a smiling old monk brought breakfast, laughing and snapping his fingers at Diana, not in the least afraid of her, but dumb when asked questions. He knew Ommony was no Brahman—laughed at the caste-mark—touched his own forehead comically—and went out spinning a prayer-wheel that he kept tucked into his girdle whenever both hands were occupied; he seemed anxious to make up for lost time.
The unglazed window provided a far view of Kanchenjunga, twenty-eight thousand feet above sea level—twenty-one thousand feet higher than the monastery roof—a lonely, lordly monarch of the silences upreared above untrodden peaks that circled the whole horizon to the north. Six thousand feet below, the Rungeet River boiled through an unseen valley. For a moment all the boundaries of Sikhim glittered in every imaginable hue of green, and between and beyond colossal snow-clad ranges the eye could scan the barren frontiers of Tibet. Then, as swiftly as eyes could sweep the vast horizon, mist of a million hues of pearly gray, phantom-formed, changing its shapes as if the gods were visioning new universes in the cloud, rolled and descended, stunning imagination with the hugeness that could wrap that scene and hide it as if it never had been.
Then rain—cold dinning rain that drummed on roof and rock, and splashed in cataracts to mingle with the spate of the Rungeet River crowding through a mountain gap toward the rice-green, steamy lushness of Bengal; rain that swallowed all the universe in sound, that beat the wind into subjection and descended straight, as if the Lords of Deluge would whelm the world at last for ever. Rain, and a smell of washed earth. Rain pulsing with the rhythm of a monastery bell, like the cry of a bronze age, drowning.
That bell seemed to clamor an emergency and Ommony hurried along cold stone corridors until he found his way into a gallery from which he could peer down into a dim hall through swimming layers of incense smoke. Silken banners, ancient but unfaded, hung all about him; images of the Gautama Buddha and disciples were carved on shadowy walls; the gloom was rich with color—alive with quiet breathing. He could see the heads of monks in rows, but could distinguish no one for a while because the heads were bowed and most of the light was lost in baffling shadows.