CHORUS
It is tem-tem-pitation!
The one sublime sensation!
You may doubt it, but without it
There would be no derring-do!
It's the siren of to-morrow
That knows naught of lack or sorrow,
So you'll sell your bonds and borrow,
When temptation beckons you!
Once Fred starts there is no stopping him, short of personal violence, and he ran through his ever lengthening list of songs, not all quite printable, until the very coral walls ached with the concertina's wailing, and our throats were hoarse from ridiculous choruses. As Yerkes put it:
"When pa says sing, the rest of us sing too or go crazy!"
I went to the window and tried to get a view of shipping through the mango branches. Masts and sails—lateen spars particularly—always get me by the throat and make me happy for a while. But all I could see was a low wall beyond the little compound, and over the top of it headgear of nearly all the kinds there are. (Zanzibar is a wonderful market for second-hand clothes. There was even a tall silk hat of not very ancient pattern.)
"Come and look, Monty!" said I, and he and Yerkes came and stood beside me. Seeing his troubadour charm was broken, Fred snapped the catch on the concertina and came too.
"Arabian Nights!" he exclaimed, thumping Monty on the back.
"Didums, you drunkard, we're dead and in another world! Juma is the one-eyed Calender! Look—fishermen—houris—how many houris?—seen 'em grin!—soldiers of fortune—merchants—sailors—by gad, there's Sindbad himself!—and say! If that isn't the Sultan Haroun-al-Raschid in disguise I'm willing to eat beans and pie for breakfast to oblige Yerkes! Look—look at the fat ruffian's stomach and swagger, will you?"
Yerkes sized up the situation quickest.
"Sing him another song, Fred. If we want to strike up acquaintance with half Zanzibar, here's our chance!"
"Oh, Richard, oh, my king!" hummed Monty. "It's Coeur de Lion and
Blondell over again with the harp reversed."