Phineas Finn is a political novel. Others in Anthony Trollope's Palliser series stray here and there from the political scene in Victorian England, but this one is rooted in the pursuit of political ambition. A chapter is allocated to a cabinet meeting in which the members of the cabinet are named, described, and seated at the table. The furnishings of the "large dingy room" in Downing Street are enumerated, and rituals are observed. Political strategy is discussed and determined. The author obviously puts politics right up there with fox hunting among his passions.
Phineas Finn is the focal point of the story as he embarks on a career in the service of the nation as a Member of Parliament. Phineas appears as an impressionable young Irishman, whose charm and gift for pleasant conversation bring him opportunities that push his capacity for maintaining focus. He is several grades advanced beyond the stage of the hobbledehoy portrayed by Trollope in Johnny Eames of the Barsetshire series, but he is still learning the ways of the world. And so we learn the ways of Phineas's world as he endures the inconveniences and embarrassments of the learning process.
One could do worse than to use this novel as a textbook on the English Constitution. We follow Phineas through election to Parliament from two different boroughs, we observe the protocols and courtesies in the House of Commons, we see his landlord participate in a riot, we meet with the Cabinet, and we see governments formed, dissolved, and replaced.
Through all this Phineas pursues his career with ambition and charm. The men like him, and the women love him. He makes love to four of the women, including his childhood sweetheart, with varying results. A clandestine duel on a beach in Belgium, ending as happily as any duel can, is the central event of the story, after which our hero shrugs and marches on.
The first to refuse Phineas is Lady Laura Standish. One of Trollope's strong women, she sublimates her political interests and ambitions into a vicarious interest in Phineas's career. Though she is in love with him, they are both poor, and she decides to accept marriage to a wealthy Scot with a large home place in the country and a promising career in Parliament. Unfortunately for Laura, his unbending religious scruples destroy the marriage, affording us insights into the institution of marriage in Victorian times. Eventually she flees to Dresden to escape his lawful demand that she live in the same house with him.
Violet Effingham, beautiful and witty, also refuses a later offer of marriage. She rebels against the oppressive guardianship of her aunt, Lady Baldock, and she is too strong-willed to go along with marriage to Lord Chiltern at the first attempt, having the audacity to propose to him that he pursue a gainful occupation. Violet was shortchanged in the BBC production of The Pallisers, in which the strength of her character is sacrificed to the abbreviating demands of film making.
Madame Max Goesler figures in several of the novels as a friend to Lady Glencora and to the Duke of Omnium. Representing the foreign element in the story (and one of the few foreigners whom he presents in a favorable light), she is a wealthy young widow from Vienna, given to making innocent observations about some of the curious English customs. She attracts the elderly Duke of Omnium, who offers to marry her. Lady Glencora fears that this could lead to the birth of a son to the Duke, knocking her little son out of the line of succession to the Duke, and her interview with Madame Max is rather one-sided. Lady Glencora protests that a seventy year old Duke of Omnium "may not do as he pleases, as may another man."
Madame Max replies that his Grace should be allowed to try that question, but she puts this matter aside to assert that she would not degrade any man whom she should marry. On the other hand, she would not willingly do him any injury, and she assures Lady Glencora that her fears for her son are premature—unless Lady Glencora's arguments should drive her to marrying the Duke just to prove she is wrong. "But you had better leave me to settle the matter in my own bosom. You had indeed."
Madame Max bears the burden of offering wise observations on the world around her, acceptable to the reader who pictures her as a beautiful dark-haired young woman. Though she refuses the offer of marriage to the Duke, she remains his friend and offers this assessment of his role in society in refuting Phineas's claim that he is useless to society:
"You believe only in motion, Mr. Finn;—and not at all in quiescence. An express train at full speed is grander to you than a mountain with heaps of snow. I own that to me there is something glorious in the dignity of a man too high to do anything,—if only he knows how to carry that dignity with a proper grace. I think that there should be breasts made to carry stars."