"Oh, Aunt Frances has fixed that," easily; "she wants Mary to shut up the house and spend the winter in Nice with herself and Grace—it's a great chance for Mary."
"But what about you, Barry?"
"Me?" He shrugged his shoulders and again smiled down at her. "I'll find quarters somewhere, and when I get too lonesome, I'll come over and talk to you, Leila."
The rich color flooded her cheeks. "Do come," she said, again with quick-drawn breath, then like a child who has secured its coveted sugar-plum, she slipped through the crowd, and down into the dining-room, where she found Mary taking a last survey.
"Hasn't Aunt Frances done things beautifully?" Mary asked; "she insisted on it, Leila. We could never have afforded the orchids and the roses; and the ices are charming—pink hearts with cupids shooting at them with silver arrows——"
"Oh, Mary," the dark-haired girl laid her flushed cheek against the arm of her taller friend. "I think weddings are wonderful."
Mary shook her head. "I don't," she said after a moment's silence. "I think they're horrid. I like Gordon Richardson well enough, except when I think that he is stealing Constance, and then I hate him."
But the bride was coming down, with all the murmuring voices behind her, and now the silken ladies were descending the stairs to the dining-room, which took up the whole lower west wing of the house and opened out upon an old-fashioned garden, which to-night, under a chill October moon, showed its rows of box and of formal cedars like sharp shadows against the whiteness.
Into this garden came, later, Mary. And behind her Susan Jenks.
Susan Jenks was a little woman with gray hair and a coffee-colored skin. Being neither black nor white, she partook somewhat of the nature of both races. Back of her African gentleness was an almost Yankee shrewdness, and the firm will which now and then degenerated into obstinacy.