Then he decided to drop the subject of Harmer's lie to the sergeant.
"How did you know, by the way, where to find Miss Clay? I understood that she kept her retreat a secret."
"Yes, she'd run away. Gave us all the runaround, in fact, including me. She was tired and not very pleased at the way her last picture had turned out. On the floor, I mean; it isn't released yet. Coyne didn't know how to take her. A bit in awe of her, and afraid at the same time she'd put one over on him. You know. If he'd called her 'kid' and 'chocolate' the way old Joe Myers used to back in the States, she'd have laughed and worked like a black for him. But Coyne's full of his own dignity, the 'big director' stuff, and so they didn't get on too good. So she was fed up, and tired, and everyone wanted her to go to different places for holidays, and it seemed she couldn't make up her mind, and then one day we woke up and she wasn't there. Bundle — that's her housekeeper — said she didn't know where she was, but no letters were to be forwarded and she'd turn up again in a month, so no one was to worry. Well, for about a fortnight no one heard of her, and then last Tuesday I met Marta Hallard at a sherry party at Libby Seemon's — she's going into that new play of his — and she said that on Saturday she had run into Chris buying chocolates at a place in Baker Street — Chris never could resist chocolates between pictures! — and she tried to worm out of Chris where she was hiding out. But Chris wasn't giving anything away. At least she thought she wasn't. She said: 'Perhaps I'm never coming back. You know that old Roman who grew vegetables with his own hands and was so stuck on the result that he made the arrangement permanent. Well, yesterday I helped pull the first cherries for Covent Garden market and, believe me, getting the Academy Award for a picture is nothing to it! "
Harmer laughed under his breath. "I can hear her," he said, affectionately. "Well, I went straight from Seemon's to Covent Garden and found out where those cherries came from. An orchard at a place called Bird's Green. And on Wednesday morning bright and early Jason sets off for Bird's Green. That took a bit of finding, but I got there about three o'clock. Then I had to find the orchard and the people who were working in it on Friday. I expected to find Chris straightaway, but it seemed that they didn't know her. They said that when they were picking, early on Friday morning, a lady passing in a car had stopped to watch and then asked if she might help. The old boy who owned the place said they didn't need paid help, but if she liked to amuse herself good and well. 'She were a good picker, he said, 'wouldn't mind paying her another time. Then his grandson said he'd seen the lady — or thought he'd seen her — one day lately in the post office at Liddlestone — about six miles away. So I found Liddlestone, but the post office regular staff was 'home to her tea' and I had to wait till she came back. She said that the lady who sent 'all the telegrams' — seems they never saw so many telegrams in their lives as Chrissent — was living over at Medley. So I set out in the half-dark to find Medley, and ended by sleeping in a lane. And sleeping out or no sleeping out, that was a better piece of detective work than you're doing this morning, Inspector Grant!"
Grant grinned good-humoredly. "Yes? Well, I've nearly done." He got up to go. "I suppose you had a coat with you in the car?"
"Sure."
"What was it made of?"
"Brown tweed. Why?"
"Have you got it here?"
"Sure." He turned to a wardrobe, built in the passage where the sitting room led into the bedroom, and pulled the sliding door open. "Have a look at my whole wardrobe. You're cleverer than I am if you can find the button."