"Gregg is all agog to see you," she said. "Not that you'll notice any agogness, of course. His face doesn't permit anything like that. You'll just have to believe me that he is excited inside."
"What happened to old Malpas?" Brat asked, although he had heard all about old Malpas one afternoon outside the Orangery.
"He became very astigmatic," Bee said. "Figuratively speaking. We could never see eye to eye. He didn't really like taking orders from a woman. So he retired about eighteen months after I took over, and we've had Gregg ever since. He's a misanthropist, and a misogynist, and he has his perks, of course; but he doesn't let any of them interfere with the running of the stables. There was a noted drop in the fodder bills after old Malpas left. And the local people like Gregg better because he buys his hay direct from the farmers and not through a contractor. And I think on the whole he's a better horsemaster than Malpas was. Cleverer at getting a poor horse into condition. And a genius at doctoring a sick one."
Why doesn't he relax? she was thinking, feeling the boy's arm rigid under her fingers. The ordeal is over now, surely. Why doesn't he relax?
And Brat for his part was conscious of her fingers clasping his forearm as he had never been conscious before of a woman's hand. He was experiencing again that surge of an unrecognised emotion that had filled him when Bee had taken his hand to lead him to the interview with Mr. Macallan.
But his first sight of the stables distracted his attention from both emotional and ethical problems.
His reaction to the stable yard at Latchetts was very much the reaction of a merchant seaman to his first acquaintance with one of His Majesty's ships. A sort of contemptuous but kindly amusement. A wonder that the thing wasn't finished off with ribbons. Only the fact that several horses' heads protruded inquisitively from the loose boxes convinced him that the place was seriously used as a stable at all. It was like nothing so much as one of the toy models he had seen in expensive toy shops. He had always imagined that those gay little affairs with their bright paint and their flowers in tubs had been manufactured to a child's taste. But apparently they had been authentic copies of an actual article. He was looking at one of the articles at this moment, and being very much surprised.
Not even the dude ranch had prepared him for this. There was paint galore at the dude ranch, but there was also a tradition of toughness. The dude ranch would never have thought of mowing the bit of grass in the middle until it looked like a square of green baize, so neat-edged and trim that it looked as if you could roll it up and take it away. At the dude ranch there was still a suggestion of the mud, dung, sweat, and flies which are inseparable from a life alongside horseflesh.
The little building on the left of the yard entrance was the saddle room, and in the saddle-room door was the stud-groom, Gregg. Gregg had in the highest degree that disillusioned air common to those who make their living out of horses. He had also the horseman's quality of agelessness. He was probably fifty, but it would not be surprising to be told that he was thirty-five.
He took two paces forward and waited for them to come up to him. The two paces were his concession to good manners, and the waiting emphasised the fact that he was receiving them on his own ground. His clear blue eyes ran over Brat as Bee introduced them, but his expression remained polite and inscrutable. He gave Brat a conventional welcome and a crushing hand-clasp.