Brat Farrar

by Tey Josephine

"Brother," said Brat, running his fingers up the dark crest, "are there more like you in England, or do you rate special?"

Timber bent his head to the caress, still with the air of one receiving his due.

But as they walked back on the south side of the irregular green hedge Brat's attention and interest went to the countryside spread below them. Except that he was looking at it upside down, as it were-from the north, instead of from the south as one looks normally at a map-this was Clare as he had first become acquainted with it. All laid out below his eye in Ordnance Survey clarity and precision.

Down below him, a little to his left, were the crimson roofs of Latchetts, set in the neat squares of paddock. Farther to the left was the church, on its own small rise; and left of it again, the village of Clare, a huddle of roofs in pale green trees. Where the land sloped up from the village to make the south side of the small valley stood Clare Park, a long white house sheltered from the south-west Channel gales by the slope behind it.

Directly opposite him that slope rose into a smaller and tamer version of the down he was sitting on; a low green hill called Tanbitches. It was an open stretch of grazing, marked half-way up with the green scar of an old quarry, and crowned by the beeches that had given it its name. There were only seven beeches now instead of ten, but the clump made a decorative and satisfying climax to the southern side of the valley.

The other side of the Tanbitches hill, as he knew from the maps, ran away in a gentle slope for a mile and a half to the cliffs. To the cliffs where Patrick Ashby had put an end to his life. Behind the lower rise of the valley, on the reverse slope of Clare Park, were farms that merged imperceptibly in a mile or two into the suburbs of Westover. In the slight hollow that marked the Clare Park slope from Tanbitches hill was a path that led to the coast. The path that Patrick Ashby had taken on that day eight years ago.

It was suddenly more real to him than it had ever been so far: this tragedy which he was using to his advantage. More real even than it had been in the rooms that Patrick had lived in. In the house there had been other associations besides Patrick: associations more present and alive. There had been the distractions of human intercourse and of his own need to be constantly wary. Out here in the open and alone it had a reality that it had never had before. Up that straggling path on the other side of the valley a boy had gone, so loaded with misery that this neat green English world had meant nothing to him. He had had horses like Timber, and friends and family, and a belonging-place, and it had all meant nothing to him.

For the first time in his detached existence Brat was personally aware of another's tragedy. When Loding had first told him the story, in that London pub, he had had nothing but contempt for the boy who had had so much and could not do without that little extra. A poor thing, he had thought. Then Loding had brought those photographs to Kew, and had shown him Patrick, and he had had that odd feeling of identification, of partisanship.

"That is Pat Ashby. He was about eleven there," Loding had said, his feet propped comfortably on the railings of the park, and had passed him the piece of paper. It was a snapshot taken with a Brownie 2A, and Brat had accepted it with a curiosity that was active but not urgent.

But Pat Ashby had not been the anonymous "poor thing" that he had so far held in his mind. He had been a real person. A likeable real person. A person who would have been, Brat felt, very much his cup of tea. From being vaguely anti-Patrick he had become Patrick's champion.