More recently, Münsterberg[113] has attributed a preponderant and almost exclusive part to respiration. Although he affirms that the origin of our notions of duration must be sought in our consciousness of muscular effort in general, and that its primitive measure lies in the rhythm of the bodily processes; yet the gradual rise and fall of the sense of effort which accompanies the two phases of the respiratory function (inspiration, expiration) seem to him the principal source of our appreciation of duration. After a rather sharp criticism of the attempts of his predecessors (which we have already reviewed) to determine the “indifferent point,” he maintains that their disagreements were caused by incomplete comprehension of the psychical events produced in the course of experience. In the perception of the successive beats of a metronome, or taps of Wundt’s electric hammer, only the auditory impressions are attended to; this is a mistake. It is supposed that the sensation-limits form the entire content of consciousness, and that the intervals between them are empty. On the contrary, they are filled by an act of attention. We are conscious of a process of variable tension which, from the initial moment, goes decreasingly towards zero, and then rises again, to adapt itself to the sonorous impression that should follow it. In other words, there are, in the perception of three successive taps, not three, but five states of consciousness: three external and two internal sensations. We must reckon thus if we are rigorously to determine the psychological conditions of experience. As evidence, Münsterberg brings forward the following results, which are from his own experiments.
The “normal time” is first determined, i. e., the standard of duration that should be reproduced by the experimenter as exactly as possible (“time of comparison”).
In one case, different durations were given, such as 15, 7, 22, 18 secs., etc., without attending to the respiration (expiration or inspiration) of the subject, who reacted independently of it. In the reproduction of normal time, the mean error was 10·7 per cent.
In the second case, the same numbers were given again, but care was taken that the subject began his estimation at precisely that respiratory period which coincided with the beginning of the normal time. The mean error did not now exceed 2·9 per cent.
In the two cases cited, there was no interruption between the determination of the normal time and its reproduction; the two operations succeeded each other immediately. If, on the contrary, a short pause, or arrest, was introduced between the two, varying from 1 to 60 seconds, the results are—proceeding at random as in the first case—a mean error of 24 per cent.; as in the second, a mean error of 5·3 per cent.
Münsterberg has been not unreasonably reproached for attributing to respiration, among all the other internal sensations, the exclusive privilege of measuring time. A less justifiable criticism asserts that his thesis is devoid of value because we can appreciate the variations in duration in the beats of a clock more readily than the changes in the rhythm of respiration. This is confounding two distinct factors in the genesis of the idea of duration: its period of formation and its period of constitution; that which occurs at the commencement, and that which takes place in the adult. Our measure is at first subjective, variable; progress consists in the substitution of a fixed, objective measure. Doubtless, the latter is superior in clearness and in precision; yet this is no proof, not even presumption, that it is first in order: we shall return to this point later on.
In short, our consciousness of duration is a complex state, more exactly, a process—since it is less a state than a becoming. The rhythmical visceral sensations are its core; it is an internal chronometer, fixed in the depths of our organisation. Around this subjective element, other objective elements are added and co-ordinated—the regular sequences which are caused by external sensations. They form the sheath of the core, and constitute the sensible portion of our consciousness of duration, not, however, its totality.
II.
Until now we have considered time under its concrete form alone, whether given as an actual event in consciousness, or revived as a past event in memory. We have now to follow the complete development of this idea to its extreme limit. In this study we may conveniently distinguish two stages:
The first, which depends on memory and imagination, consists in thinking a certain extension of duration, that may be more or less vaguely represented: a day, a week, a year, etc.