CHAP. 14. (6.)—HOW THE SEVERAL VARIETIES OF THE VIOLET ARE RESPECTIVELY PRODUCED, GROWN, AND CULTIVATED. THE THREE DIFFERENT COLOURS OF THE VIOLET. THE FIVE VARIETIES OF THE YELLOW VIOLET.
Next after the roses and the lilies, the violet is held in the highest esteem: of this there are several varieties, the purple,[1934] the yellow, and the white, all of them reproduced from plants, like the cabbage. The purple violet, which springs up spontaneously in sunny spots, with a thin, meagre soil, has larger petals than the others, springing immediately from the root, which is of a fleshy substance. This violet has a name, too, distinct from the other wild kinds, being called “ion,”[1935] and from it the ianthine[1936] cloth takes its name.
Among the cultivated kinds, the yellow[1937] violet is held in the greatest esteem. The Tusculan violet, and that known as the “marine”[1938] violet, have petals somewhat broader than the others, but not so odoriferous; the Calatian[1939] violet, too, which has a smaller leaf, is entirely destitute of smell. This last is a present to us from the autumn, the others from the spring.
CHAP. 15.—THE CALTHA. THE SCOPA REGIA.
Next to it comes the caltha, the flowers of which are of similar colour and size;[1940] in the number of its petals, however, it surpasses the marine violet, the petals of which are never more than five in number. The marine violet is surpassed, too, by the other in smell; that of the caltha being very powerful. The smell, too, is no less powerful in the plant known as the “scopa regia;”[1941] but there it is the leaves of the plant, and not the flowers, that are odoriferous.
CHAP. 16.—THE BACCHAR. THE COMBRETUM. ASARUM.
The bacchar,[1942] too, by some persons known as “field nard,” is odoriferous in the root only. In former times, it was the practice to make unguents of this root, as we learn from the poet Aristophanes, a writer of the Ancient Comedy; from which circumstance some persons have erroneously given the name of “exotic”[1943] to the plant. The smell of it strongly resembles that of cinnamomum; and the plant grows in thin soils, which are free from all humidity.
The name of “combretum”[1944] is given to a plant that bears a very strong resemblance to it, the leaves of which taper to the fineness of threads; in height, however, it is taller than the bacchar. These are the only[1945] * * * * The error, however, ought to be corrected, on the part of those who have bestowed upon the bacchar the name of “field nard;” for that in reality is the surname given to another plant, known to the Greeks as “asaron,” the description and features of which we have already[1946] mentioned, when speaking of the different varieties of nard. I find, too, that the name of “asaron” has been given to this plant, from the circumstance of its never[1947] being employed in the composition of chaplets.
CHAP. 17.—SAFFRON: IN WHAT PLACES IT GROWS BEST. WHAT FLOWERS WERE KNOWN AT THE TIME OF THE TROJAN WAR.
The wild saffron[1948] is the best; indeed, in Italy it is of no use whatever to attempt to propagate it, the produce of a whole bed of saffron being boiled down to a single scruple; it is reproduced by offsets from the bulb. The cultivated saffron is larger, finer, and better looking than the other kinds, but has much less efficacy. This plant is everywhere degenerating,[1949] and is far from prolific at Cyrenæ even, a place where the flowers are always of the very finest quality. The most esteemed saffron, however, is that of Cilicia, and there of Mount Corycus in particular; next comes the saffron of Mount Olympus, in Lycia, and then of Centuripa, in Sicily; some persons, however, have given the second rank to the Phlegræan[1950] saffron.