Seconds, seconds, seconds of silence. Then it was as though the son, up-rooting and tearing loose his whole ego, threw himself, with a gesture of utter self-exposure, upon his father, yet he stood still, head a little bent, speaking softly, as though every word were smothering between his lips.
“Father! Help the men who live at your machines!”
“I cannot help them,” said the brain of Metropolis. “Nobody can help them. They are where they must be. They are what they must be. They are not fitted for anything more or anything different.”
“I do not know for what they are fitted,” said Freder, expressionlessly; his head fell upon his breast as though almost severed from his neck. “I only know what I saw—and that it was dreadful to look upon.... I went through the machine-rooms—they were like temples. All the great gods were living in white temples. I saw Baal and Moloch, Huitzilopochtli and Durgha; some frightfully companionable, some terribly solitary. I saw Juggernaut’s divine car and the Towers of Silence, Mahomet’s curved sword, and the crosses of Golgotha. And all machines, machines, machines, which, confined to their pedestals, like deities to their temple thrones, from the resting places which bore them, lived their god-like lives: Eyeless but seeing all, earless but hearing all, without speech, yet, in themselves, a proclaiming mouth—not man, not woman, and yet engendering, receptive, and productive—lifeless, yet shaking the air of their temples with the never-expiring breath of their vitality. And, near the god-machines, the slaves of the god-machines: the men who were as though crushed between machine companionability and machine solitude. They have no loads to carry: the machine carries the loads. They have not to lift and push: the machine lifts and pushes. They have nothing else to do but eternally one and the same thing, each in this place, each at his machine. Divided into periods of brief seconds, always the same clutch at the same second, at the same second. They have eyes, but they are blind but for one thing, the scale of the manometer. They have ears, but they are deaf but for one thing, the hiss of their machine. They watch and watch, having no thought but for one thing: should their watchfulness waver, then the machine awakens from its feigned sleep and begins to race, racing itself to pieces. And the machine, having neither head nor brain, with the tension of its watchfulness, sucks and sucks out the brain from the paralysed skull of its watchman, and does not stay, and sucks, and does not stay until a being is hanging to the sucked-out skull, no longer a man and not yet a machine, pumped dry, hollowed out, used up. And the machine which has sucked out and gulped down the spinal marrow and brain of the man and has wiped out the hollows in his skull with the soft, long tongue of its soft, long hissing, the machine gleams in its silver-velvet radiance, anointed with oil, beautiful, infallible—Baal and Moloch, Huitzilopochtli and Durgha. And you, father, you press your fingers upon the little blue metal plate near your right hand, and your great glorious, dreadful city of Metropolis roars out, proclaiming that she is hungry for fresh human marrow and human brain and then the living food rolls on, like a stream, into the machine-rooms, which are like temples, and that, just used, is thrown up....”
His voice failed him. He struck his fists violently together, and looked at his father.
“... and they are all human beings!”
“Unfortunately. Yes.”
The father’s voice sounded to the son’s ear as though he were speaking from behind seven closed doors.
“That men are used up so rapidly at the machines, Freder, is no proof of the greed of the machine, but of the deficiency of the human material. Man is the product of change, Freder. A once-and-for-all being. If he is miscast he cannot be sent back to the melting-furnace. One is obliged to use him as he is. Whereby it has been statistically proved that the powers of performance of the non-intellectual worker lessen from month to month.”
Freder laughed. The laugh came so dry, so parched, from his lips that Joh Fredersen jerked up his head, looking at his son from out narrowed eye-lids. Slowly his eyebrows rose.