Who, ah who will ever make music on thy pipe, O thrice desired Bion, and who will put his mouth to the reeds of thine instrument? who is so bold?
For still thy lips and still thy breath survive, and Echo, among the reeds, doth still feed upon thy songs. To Pan shall I bear the pipe? Nay, perchance even he would fear to set his mouth to it, lest, after thee, he should win but the second prize.
Begin, ye Sicilian Muses, begin the dirge.
Yea, and Galatea laments thy song, she whom once thou wouldst delight, as with thee she sat by the sea-banks. For not like the Cyclops didst thou sing—him fair Galatea ever fled, but on thee she still looked more kindly than on the salt water. And now hath she forgotten the wave, and sits on the lonely sands, but still she keeps thy kine.
Begin, ye Sicilian Muses, begin the dirge.
All the gifts of the Muses, herdsman, have died with thee, the delightful kisses of maidens, the lips of boys; and woful round thy tomb the loves are weeping. But Cypris loves thee far more than the kiss wherewith she kissed the dying Adonis.
Begin, ye Sicilian Muses, begin the dirge.
This, O most musical of rivers, is thy second sorrow, this, Meles, thy new woe. Of old didst thou lose Homer, that sweet mouth of Calliope, and men say thou didst bewail thy goodly son with streams of many tears, and didst fill all the salt sea with the voice of thy lamentation—now again another son thou weepest, and in a new sorrow art thou wasting away.
Begin, ye Sicilian Muses, begin the dirge.
Both were beloved of the fountains, and one ever drank of the Pegasean fount, but the other would drain a draught of Arethusa. And the one sang the fair daughter of Tyndarus, and the mighty son of Thetis, and Menelaus Atreus’s son, but that other,—not of wars, not of tears, but of Pan, would he sing, and of herdsmen would he chant, and so singing, he tended the herds. And pipes he would fashion, and would milk the sweet heifer, and taught lads how to kiss, and Love he cherished in his bosom and woke the passion of Aphrodite.