The city editor, H. B. Wandell, was one of those odd, forceful characters who because of my youth and extreme impressionability perhaps and his own vigor and point of view succeeded in making a deep impression on me at once. He was such a queer little man, so different from Mitchell and McCullagh, nervous, jumpy, restless, vigorous, with eyes so piercing that they reminded one of a hawk’s and a skin so swarthy that it was Italian in quality and made all the more emphatic by a large, humped, protruding nose pierced by big nostrils. His hands were wrinkled and claw-like, and he had large yellowish teeth which showed rather fully when he laughed. And that laugh! I can hear it yet, a cross between a yelp and a cackle. It always seemed to me to be a mirthless laugh, insincere, and yet also it had an element of appreciation in it. He could see a point at which others ought to laugh without apparently enjoying it himself. He was at once a small and yet a large man mentally, wise and incisive in many ways, petty and even venomous in others, a man to coddle and placate if you were beholden to him, one to avoid if you were not, but on the whole a man above the average in ability.
And he had the strangest, fussiest, bossiest love of great literature of any one I have ever known, especially in the realm of the newspapers. Zola at this time was apparently his ideal of what a writer should be, and after him Balzac and Loti. He seemed to know them well and to admire and even love them, after his fashion. He was always calling upon me to imitate Zola’s vivid description of the drab and the gross and the horrible if I could, assuming that I had read him, which I had not, but I did not say so. And Balzac’s and Loti’s sure handling of the sensual and the poignant! How often have I heard him refer to them with admiration, giving me the line and phrase of certain stark pictures, and yet at the same time there was a sneaking bending of the knee to the middle West conventions of which he was a part, a kind of horror of having it known that he approved of these things. He was a Shriner and very proud of it, as he was of various other local organizations to which he belonged. He had the reputation of being one of the best city editors in the city, far superior to my late master. Previously he had been city editor of the Globe itself for many years and was still favorably spoken of in that office. After I left St. Louis he returned to the Globe for a time and once more became its guide in local news.
But that is neither here nor there save as it illustrates what is a cardinal truth of the newspaper world: that the best of newspaper men are occasionally to be found on the poorest of papers, and vice versa. Just at this time, as I understood, he was here because the Republic was making a staggering effort to build itself up in popular esteem, which it finally succeeded in doing after McCullagh’s death, becoming once more the leading morning paper as it had been before the Globe, under McCullagh, arose to power. Just now, however, in my despondent mood, it seemed an exceedingly sad affair.
Mr. Wandell, as I now learned, had heard of me and my recent faux pas, as well as some of the other things I had been doing.
“Been working on the Globe, haven’t you?” he commented when I approached him. “What did they pay you?”
I told him.
“When did you leave there?”
“About a week ago.”
“Why did you leave?”
“Perhaps you saw those notices of three shows that didn’t come to town? I’m the man who wrote them up.”