An American tragedy, v. 1

by Theodore Dreiser

"What about her?" asked Clyde, keenly curious, for to him she seemed exceedingly beautiful, most fascinating.

"Oh, nothing, except she's been in with about eight different men around here since I've been here. She fell for Doyle"—another hall-boy whom by this time Clyde had already observed as being the quintessence of Chesterfieldian grace and airs and looks, a youth to imitate—"for a while, but now she's got some one else."

"Really?" inquired Clyde, very much astonished and wondering if such luck would ever come to him.

"Surest thing you know," went on Ratterer. "She's a bird that way—never gets enough. Her husband, they tell me, has a big lumber business somewhere over in Kansas, but they don't live together no more. She has one of the best suites on the sixth, but she ain't in it half the time. The maid told me."

This same Ratterer, who was short and stocky but good-looking and smiling, was so smooth and bland and generally agreeable that Clyde was instantly drawn to him and wished to know him better. And Ratterer reciprocated that feeling, for he had the notion that Clyde was innocent and inexperienced and that he would like to do some little thing for him if he could.

The conversation was interrupted by a service call, and never resumed about this particular woman, but the effect on Clyde was sharp. The woman was pleasing to look upon and exceedingly well-groomed, her skin clear, her eyes bright. Could what Ratterer had been telling him really be true? She was so pretty. He sat and gazed, a vision of something which he did not care to acknowledge even to himself tingling the roots of his hair.

And then the temperaments and the philosophy of these boys—Kinsella, short and thick and smooth-faced and a little dull, as Clyde saw it, but good-looking and virile, and reported to be a wizard at gambling, who, throughout the first three days at such times as other matters were not taking his attention, had been good enough to continue Hegglund's instructions in part. He was a more suave, better spoken youth than Hegglund, though not so attractive as Ratterer, Clyde thought, without the latter's sympathetic outlook, as Clyde saw it.

And again, there was Doyle—Eddie—whom Clyde found intensely interesting from the first, and of whom he was not a little jealous, because he was so very good-looking, so trim of figure, easy and graceful of gesture, and with so soft and pleasing a voice. He went about with an indescribable air which seemed to ingratiate him instantly with all with whom he came in contact—the clerks behind the counter no less than the strangers who entered and asked this or that question of him. His shoes and collar were so clean and trim, and his hair cut and brushed and oiled after a fashion which would have become a moving-picture actor. From the first Clyde was utterly fascinated by his taste in the matter of dress—the neatest of brown suits, caps, with ties and socks to match. He should wear a brown-belted coat just like that. He should have a brown cap. And a suit as well cut and attractive.

Similarly, a not unrelated and yet different effect was produced by that same youth who had first introduced Clyde to the work here—Hegglund—who was one of the older and more experienced bell-hops, and of considerable influence with the others because of his genial and devil-may-care attitude toward everything, outside the exact line of his hotel duties. Hegglund was neither as schooled nor as attractive as some of the others, yet by reason of a most avid and dynamic disposition—plus a liberality where money and pleasure were concerned, and a courage, strength and daring which neither Doyle nor Ratterer nor Kinsella could match—a strength and daring almost entirely divested of reason at times—he interested and charmed Clyde immensely. As he himself related to Clyde, after a time, he was the son of a Swedish journeyman baker who some years before in Jersey City had deserted his mother and left her to make her way as best she could. In consequence neither Oscar nor his sister Martha had had any too much education or decent social experience of any kind. On the contrary, at the age of fourteen he had left Jersey City in a box car and had been making his way ever since as best he could. And like Clyde, also, he was insanely eager for all the pleasures which he had imagined he saw swirling around him, and was for prosecuting adventures in every direction, lacking, however, the nervous fear of consequence which characterized Clyde. Also he had a friend, a youth by the name of Sparser, somewhat older than himself, who was chauffeur to a wealthy citizen of Kansas City, and who occasionally managed to purloin a car and so accommodate Hegglund in the matter of brief outings here and there; which courtesy, unconventional and dishonest though it might be, still caused Hegglund to feel that he was a wonderful fellow and of much more importance than some of these others, and to lend him in their eyes a luster which had little of the reality which it suggested to them.

Not being as attractive as Doyle, it was not so easy for him to win the attention of girls, and those he did succeed in interesting were not of the same charm or import by any means. Yet he was inordinately proud of such contacts as he could effect and not a little given to boasting in regard to them, a thing which Clyde took with more faith than would most, being of less experience. For this reason Hegglund liked Clyde, almost from the very first, sensing in him perhaps a pleased and willing auditor.