Kit, kit, kit, Ca-a-a-ah!
Kit, kit, kit, Ca-a-a-ah!
(The weird, haunting cry of that unearthly bird again. So cold, so harsh! Here it was once more to startle him out of his soul flight into a realization of the real or unreal immediate problem with all of its torturesome angles that lay before him.)
He must face this thing! He must!
Kit, kit, kit, Ca-a-a-ah!
Kit, kit, kit, Ca-a-a-ah!
What was it sounding—a warning—a protest—condemnation? The same bird that had marked the very birth of this miserable plan. For there it was now upon that dead tree—that wretched bird. And now it was flying to another one—as dead—a little farther inland and crying as it did so. God!
And then to the shore again in spite of himself. For Clyde, in order to justify his having brought his bag, now must suggest that pictures of this be taken—and of Roberta—and of himself, possibly—on land and water. For that would bring her into the boat again, without his bag, which would be safe and dry on land. And once on shore, actually pretending to be seeking out various special views here and there, while he fixed in his mind the exact tree at the base of which he might leave his bag against his return—which must be soon now—must be soon. They would not come on shore again together. Never! Never! And that in spite of Roberta protesting that she was getting tired; and did he not think they ought to be starting back pretty soon? It must be after five, surely. And Clyde, assuring her that presently they would—after he had made one or two more pictures of her in the boat with those wonderful trees—that island and this dark water around and beneath her.
His wet, damp, nervous hands!