“Well,” he said, after a time, his nature recovering itself, “that’s a pretty tough game over there.”
Then he turned and saw the papers. With half a sigh he picked up the “World.”
“Strike Spreading in Brooklyn,” he read. “Rioting Breaks Out in all Parts of the City.”
He adjusted his paper very comfortably and continued. It was the one thing he read with absorbing interest.
Chapter XLII. A TOUCH OF SPRING: THE EMPTY SHELL
Those who look upon Hurstwood’s Brooklyn venture as an error of judgment will none the less realise the negative influence on him of the fact that he had tried and failed. Carrie got a wrong idea of it. He said so little that she imagined he had encountered nothing worse than the ordinary roughness—quitting so soon in the face of this seemed trifling. He did not want to work.
She was now one of a group of oriental beauties who, in the second act of the comic opera, were paraded by the vizier before the new potentate as the treasures of his harem. There was no word assigned to any of them, but on the evening when Hurstwood was housing himself in the loft of the street-car barn, the leading comedian and star, feeling exceedingly facetious, said in a profound voice, which created a ripple of laughter:
“Well, who are you?”
It merely happened to be Carrie who was courtesying before him. It might as well have been any of the others, so far as he was concerned. He expected no answer and a dull one would have been reproved. But Carrie, whose experience and belief in herself gave her daring, courtesied sweetly again and answered:
“I am yours truly.”