He calls an officer from the rear room and the two complainants, together with others who have ventured in, myself included, beat a sullen retreat, the crowd welcoming us on the outside. A buzz of conversation follows. War is promised. When the victim is safely down the steps he exclaims:

“All right! I ast him to arrest him. Now let ’em look out. I’ll go back there, I will. Yes, I will. I’ll kill the bastard, that’s what I’ll do. I’ll show him whether he’ll hit me with a banister leg, the ——,” and as he goes now, rather straight and yet rhythmically forward, his assailant, who has been opposite him all the while but in the middle of the street, keeps an equal and amusing pace.

The crowd follows and turns into Thirty-ninth Street, a half-block east of Tenth Avenue. It stops in front of an old, stale, four-story red brick tenement. Some of its windows are glowing softly in the night. On the third floor some one is playing a flute. Quiet and peace seem to reign, and yet this——

“I’ll show him whether he’ll hit me,” insists the injured man, entering the house. The woman follows, and then the short, thickset man from the street. One after another they disappear up the narrow stairs which begin at the back of the hall. Some of the crowd follows, myself included.

Presently, after a great deal of scuffling and hustling on the fourth floor, all return helter-skelter. They are followed by a large, comfortably-built, healthy, white-shirted Irish-American, who lives up there and who has strength and courage. Before him, pathetically small in size and strength, the others move, the mutilated and still protesting victim among them. Apparently he has been ejected from the room in which he had been before.

“I’ll show him,” he is still boasting. “I’ll see whether he’ll hit me with a banister leg, the ——.”

“That’s all right,” says the large Irishman with a brogue, pushing him gently onto the sidewalk as he does so. “Go on now.”

“I’ll get even with him yet,” insists the victim.

“That’s all right. I don’t care what you do to-morrow. Go on now.”

The victim turns and looks up at this new authority fixedly, as though he knew him well, scratches his head and then turns and solemnly walks away. The other man does likewise. You wonder why.