"I don't think I would object to coming under certain conditions," he replied.
"And what are those conditions?"
"Well, I would rather hear what you have to suggest, Mr. Kalvin. I really am not sure that I want to leave where I am. I'm doing pretty well as it is."
"Well, you seem a rather likely young man to me," said Mr. Kalvin. "You have certain qualities which I think I need. I'll say eight thousand for this year, and if everything is satisfactory one year from this time I'll make it ten. After that we'll let the future take care of itself."
"Eight thousand! Ten next year!" thought Eugene. The title of advertising manager of a great publication! This was certainly a step forward!
"Well, that isn't so bad," he said, after a moment's apparent reflection. "I'd be willing to take that, I think."
"I thought you would," said Mr. Kalvin, with a dry smile. "Well, you and Mr. Fredericks can arrange the rest of the details. Let me wish you good luck," and he extended his hand cordially.
Eugene took it.
It did not seem as he rode back in the machine with Mr. Fredericks to the latter's house—for he was invited to stay for the night—that it could really be true. Eight thousand a year! Was he eventually going to become a great business man instead of an artist? He could scarcely flatter himself that this was true, but the drift was strange. Eight thousand this year! Ten the next if he made good; twelve, fifteen, eighteen—— He had heard of such salaries in the advertising field alone, and how much more would his investments bring him. He foresaw an apartment on Riverside Drive in New York, a house in the country perhaps, for he fancied he would not always want to live in the city. An automobile of his own, perhaps; a grand piano for Angela; Sheraton or Chippendale furniture; friends, fame—what artist's career could compare to this? Did any artist he knew enjoy what he was enjoying now, even? Why should he worry about being an artist? Did they ever get anywhere? Would the approval of posterity let him ride in an automobile now? He smiled as he recalled Dula's talk about class superiority—the distinction of being an artist, even though poor. Poverty be hanged! Posterity could go to the devil! He wanted to live now—not in the approval of posterity.