"Yes, I do," replied Eugene, smiling. "It certainly is a fascinating proposition. But I can't make up my mind about it now. It's something I want to think about. I'd like to take my time, and I'll let you know."
"Take all the time you want, my boy! Take all the time you want!" exclaimed Colfax. "I'll wait for you a little while. I'm in no life-or-death hurry. This position can't be filled satisfactorily in a minute. When you're ready, let me know what you decide. And now let's go to the theatre—what do you say?"
The automobile was called, Mrs. Colfax and her guest, Miss Genier, appeared. There was an interesting evening in a box, with Eugene talking gaily and entertainingly to all, and then an after-theatre bite at Sherry's. The next morning, for he stayed all night at Colfax's, they visited the United Magazines Corporation building together, and at noon Eugene returned to Philadelphia.
His head was fairly seething and ringing with all he had seen and heard. Colfax was a great man, he thought, greater in some respects than Kalvin. He was more forceful, more enthusiastic, younger—more like himself, than Kalvin. He could never fail, he was too rich. He would make a success of this great corporation—a tremendous success—and if he went he might help make it with him. What a thing that would be! Very different from working for a corporation with whose success he had never had anything to do. Should he ignore this offer? New York, a true art and literary standing; a great executive and social standing; fame; money—all these were calling. Why, on eighteen or twenty-five thousand he could have a splendid studio apartment of his own, say on Riverside Drive; he could entertain magnificently; he could keep an automobile without worrying about it. Angela would cease feeling that they had to be careful. It would be the apex of lieutenantship for him. Beyond that he would take stock in the company, or a business of his own. What a long distance he had come from the days when, here as a boy, he had walked the streets, wondering where he would find a $3 room, and when as an art failure he carried his paintings about and sold them for ten and fifteen dollars. Dear Heaven, what peculiar tricks fortune could play!
The discussion with Angela of this proposition led to some additional uncertainty, for although she was greatly impressed with what Colfax offered, she was afraid Eugene might be making a mistake in leaving Kalvin. The latter had been so nice to Eugene. He had never associated with him in any intimate way, but he and Angela had been invited to his home on several formal occasions, and Eugene had reported that Kalvin was constantly giving him good advice. His attitude in the office was not critical but analytic and considerate.
"He's been mighty nice to me," Eugene said to her one morning at breakfast; "they all have. It's a shame to leave him. And yet, now that I look at it, I can see very plainly that there is never going to be the field here that there will be with the United Company. They have the publications and the book business, and the Kalvin Company hasn't and won't have. Kalvin is too old. They're in New York, too; that's one thing I like about it. I'd like to live in New York again. Wouldn't you?"
"It would be fine," said Angela, who had never really cared for Philadelphia and who saw visions of tremendous superiority in this situation. Philadelphia had always seemed a little out of the way of things after New York and Paris. Only Eugene's good salary and the comforts they had experienced here had made it tolerable. "Why don't you speak to Mr. Kalvin and tell him just what Mr. Colfax says," she asked. "It may be that he'll offer to raise your salary so much that you'll want to stay when he hears of this."
"No danger," replied Eugene. "He may raise it a bit, but he never can pay me twenty-five thousand dollars a year. There isn't any reason for paying it. It takes a corporation like the United to do it. There isn't a man in our place gets that, unless it is Fredericks. Besides, I could never be anything more here, or much more, than advertising manager. Miller has that editorial job sewed up. He ought to have it, too, he's a good man. This thing that Colfax offers lets me out into a new field. I don't want to be an advertising manager all my days if I can help it!"
"I don't want you to be, either, Eugene," sighed Angela. "It's a shame you can't quit entirely and take up your art work. I've always thought that if you were to stop now and go to painting you would make a success of it. There's nothing the matter with your nerves now. It's just a question of whether we want to live more simply for a while and let you work at that. I'm sure you'd make a big success of it."
"Art doesn't appeal to me so much as it did once," replied Eugene. "I've lived too well and I know a lot more about living than I once did. Where could I make twelve thousand a year painting? If I had a hundred thousand or a couple of hundred thousand laid aside, it would be a different thing, but I haven't. All we have is that Pennsylvania Railroad stock and those lots in Montclair eating their merry little heads off in taxes, and that Steel common stock. If we go back to New York we ought to build on that Montclair property, and rent it if we don't want to live in it. If I quit now we wouldn't have more than two thousand dollars a year outside of what I could earn, and what sort of a life can you live on that?"