"The cat and broken spear are emblems of rebellion and anarchy."—P. 11.
"The British Lion is majestically observing the effects of his own operations; his countenance shows no symptom of the reign of passion—anger is alone signified by the movement of his tail."
For this illustration of natural history Mr. Ward appears to be indebted to Mathews, who, in his "At Home," told a capital story of a showman and one of the noble beasts in question, in which, while his head is in the lion's mouth, he anxiously inquires of a by-stander, "Doth he wag his tail?" That bit of waggery being indicative (as Mr. Ward has comically painted it) of the ire of lions generally.
Mr. Ward, as matter of information, tells us, page 19, that "the palm-tree grows to the height of five hundred feet, and bears the date and cocoa-nut." What date the trees Mr. Ward alludes to might have borne we cannot say; but certain it is, that modern palms have left off growing to the height of five hundred feet; which, considering it to be about three times the height of the Monument, and one hundred feet more than the height of St. Paul's, is not so very surprising.
The following information, conveyed in page 20, is likely to be very interesting from its importance:—
"Juvenile antagonists in the streets dare not strike an unfair blow, take the other by the hair, or maltreat him when fallen upon the ground. In such case, he not only loses his battle, but also—his character!!!"
At page 22 we have, perhaps, the most finished description of docking a horse that ever was put to paper; it is somewhat lengthy, but it will repay the lover of the sublime for his trouble in reading it:—
"Can any thing be so far from true taste, as to round the ears of a dog, or to cut them off; whatever may be the beauty, breed, or character, to cut off the thumb, or fifth toe, and call it a Dew claw, and consider it of no use! To chop off the tail of a waggon-horse, so necessary and useful to that class of creature; above all, to separate every joint of the tail, with all the misery attending upon it, in order to reverse the order of Nature, and make that turn up which ought to turn down, all equally show the want of taste, as the want of humanity? Who has ever witnessed the operation last alluded to, if not, pause; and in your imagination, behold a nobly-formed, and finely-tempered creature, led from the stable in all the pride of health, and all the playful confidence of being led out, and held by his master and his friend, view the hobbles fastened to his legs, his feet drawn to a point, and himself cast to the earth, so contrary to his expectations and his hopes; observe the commencement, and the lingering process; behold the wreathing of the lovely and as useful animal; how does his heaving breast manifest his astonishment, while his greatly oppressed and labouring heart beats high with resentment, at being thus tampered. His quivering flesh sends through every pore streams of sweat; his open nostrils are bursting with agony of body and spirit, while his strained eye-balls flash as with the fixed glare of expiring nature. Heard you that groan? poor animal. They have began the deed of barbarism! he faintly shrieks, 'tis as the piteous cry of the timid hare, when sinking under the deadly gripe of the fierce, agile, and ravenous greyhound. How he grinds his teeth, and bores his tightly-twitched and twisted lip, and smoking nostril, into the thick litter, or grovelling, rubs his aching forehead into the loose sand; now the sudden and convulsive effort! what a struggle! every nerve, sinew, tendon, stretched to its full bearing, with fearful energy! Oh! that he could now disencumber his fettered limbs, and spring from his tormentors. Those limbs, that would joyfully bound over the broad plain, or patient bear the cumbrous load, nor utter one complaint in the deep toil; or drag with unwearied submission, harnessed, galled, and parched with thirst, the lumbering machine to the very borders of his opening tomb. He groans again, the struggle's over, and he again lays down; while the hoarse breathing and his panting sides, prove that all his energies, his mighty energies, have failed: and the work goes on, still continues, and now another and another gash, and now the iron hook, to tear out from among the separated complicated bones, the tenacious ligament that binds the strong vertebræ; and lastly the burning steel to staunch the streaming blood. Tedious process!—but at length it ceases, and the noble, towering, majestic steed is led back, tottering, trembling, reeling, and dejected, to repose apparently in peace; but ah! another torment, the cord, the weight, the pulley, day o'er day, and week after week, to keep the lips of the gaping, throbbing, aching wounds asunder, to close no more for ever. Enough! enough! our country's shame, for cruelty is not our natural character, our country's vice."
We by no means intend to ridicule Mr. Ward's humanity; but, we confess, as throwing lights upon an allegorical picture of the Duke of Wellington's triumphs, we do not consider the passage quite as much to the purpose as it might be.