In the flying trot the horse leaps a considerable distance through the air at each stride—evidently a mode of progression unsuited for ladies, who must attain speed in trotting by quickening the step without undue lengthening of the stride.
Your first care will be to prevent your horse from losing his “lightness,” as he will be inclined to do at every change of gait or increase of speed—and this, while often by no means easy, is yet a task to be thoroughly accomplished if you wish for comfort or style in the future. You will observe in trotting, as in all other gaits, at each step a slight tug on the rein, called by some writers the appel, and this you will ordinarily yield your hand to, so as to keep a steady feeling of the mouth.
If, however, the horse begins to bear on the bit, hold your hand firmly, with the rein just so tight that at every step he will himself thrust his jaw against the curb. This will very likely bring him to his senses and restore his lightness, and if so, pat and praise him; but if not, tap him on the side with your whip, at the same time pulling on the curb for a second or two. If he does not yield to this, repeated two or three times, stop him short; and when, by the same method, you have got him to relax his gripe of the bit and arch his neck, allow him to go on again. He will dislike excessively to be stopped and started in this way, and when he finds that he will not be permitted to go in any way but the right one he will give up the attempt.
Do not try to succeed by giving a long, steady pull, nor by using force, as it will do no good, and may cause the tongue to be put over the bit—a very troublesome trick. Remember, in stopping, to lean back, and lay your whip, by a movement of the wrist, on the horse’s back.
You will next turn your attention to your horse’s gait. As the trot is rarely so easy that a lady can sit down to it with comfort, it is advisable to rise in the stirrup.
This is difficult and fatiguing if the stride is too long, and you will therefore prevent its extending too much by giving a little tug on the rein just as each step is made, at the same time with the heel keeping up speed and animation.
If your bitting has been thoroughly done, and your horse’s mouth is fine and sensitive, you will probably find the snaffle best for trotting, and you will give a steady support with it.
Keep the step quick, elastic, perfectly cadenced, and without any rolling of the shoulders.
Should you happen to be mounted upon a horse which, from bad handling or his own faulty conformation, is disposed to “bore,” or bear on his bit, you will ride with the curb, taking its reins in one hand, but in the other hand taking the snaffle, with the left rein drawn much tighter than the right. This will have an effect quite different from what one might expect, and will put a stop to this most fatiguing and annoying trick.
This recipe is not found in Baucher’s book, but is said to have been given by him verbally to his pupils, and it is really “a trick worth knowing.” If it does not have the desired effect, however, when practised with the left snaffle-rein, try it with the right, as the mouth—for instance, from the effect of double harness—may not be equally sensitive on both sides.