Recollections of a Long Life: An Autobiography

by Theodore L. Cuyler

The most interesting object was yet to be visited—the cottage of his birth, I entered it with reverence; and a well dressed, but very old, woman welcomed me in. "This is the room," she said. I looked around on the rough stone walls and could not believe that it ever contained such a soul; for the cottage, with all its subsequent repairs, was hardly equal to the generality of our early log cabins. The old lady was very affable. In her early life she had been connected with an inn at Mauchline, and had seen the poet often. "Rabbie was a funny fellow," she said; "I ken'd him weel; and he stoppit at our hoose on his way up to Edinburgh to see the lairds." I asked her if he was not always humorous. "Nae, nae," she replied, "he used to come in and sit doun wi' his hands in his lap like a bashful country lad; very glum, till he got a drap o' whuskey, or heard a gude story, and then he was aff! He was very poorly in his latter days." Those closing days in Dumfries, steeped in poverty to the lips, forms one of the most tragic chapters in literary history; and I know scarcely anything in our language more pathetic than the letter which he wrote describing his wretched bondage to the dominion of strong drink. An old lady of Kilmarnock told my friend, the late Dr. Taylor of New York, that when a young woman she had gone to Burns' house to assist in preparations for his funeral, and stated that there was not enough decent linen in the house to lay out the most splendid genius in all Scotland! When I was at Ayr, a sister of Burns, Mrs. Begg, was still living, and I am always regretting that I did not call upon her. His widow, Jean Armour, had died but a few years before; and when a certain pert American who called upon the old lady had the audacity to ask her: "Can you show me any relics of the poet?" answered with majestic dignity: "Sir, I am the only relic of Robert Burns."

I went abroad on this first visit to Europe keen for lion hunting, and with an eager desire to see some of the men who had been my literary benefactors. On my arrival in London, having a letter of introduction to Charles Dickens, which a mutual friend had given to me, I resolved to present it. Charles Dickens was an idol of my college days, and I had spent a few minutes with him in Philadelphia during his recent visit to the United States. He had returned from his triumphal tour about a month before I landed in Liverpool. I called at his house, but he was not at home. The next day he did me the honor to call on me at Morley's Hotel, and, not finding me in, invited me up to his house near York Gate, Regents Park. It was a dingy, brick house surrounded by a high wall, but cheerful and cozy within. I found him in his sanctum, a singularly shaped room, with statuettes of Sam Weller and others of his creations on the mantelpiece. A portrait of his beautiful wife was upon the wall—that wife, the separation from whom threw a strange, sad shadow over his home. How handsome he was then! With his deep, dark, lustrous eyes, that you saw yourself in, and the merry mouth wreathed with laughter, and the luxuriant mass of dark hair that he wore in a sort of stack over his lofty forehead! He had a slight lisp in his pleasant voice, and ran on in rapid talk for an hour, with a shy reluctance to talk about his own works, but with the most superabounding vivacity I have ever met with in any man. His two daughters, one of whom afterward married the younger Collins, a brother novelist, were then schoolgirls of eight and ten years, came in, with books in their hands, to give their father a good-morning kiss. After parting with him, when I had reached his gate, he called after me in a very loud voice, "If you see Mrs. Lucretia Mott, tell her that I have not forgotten the slave." His "American Notes" appeared the next week. There were some things in that hasty and faulty volume for which I sent him a cordial note of thanks, and I speedily received the following characteristic reply, which I still prize as a precious relic of the man:

I DEVONSHIRE TERRACE,
REGENTS PARK, Oct. 26th, 1842.

MY DEAR SIR:—I am heartily obliged to you for your
frank and manly letter. I shall always remember it in connection
with my American book; and never—believe me—save
in the foremost rank of its pleasant and honorable
associations.
Let me subscribe myself, as I really am

Faithfully your Friend,

CHARLES DICKENS.

Mr. Theodore Ledyard Cuyler.

I hold that Dickens was the most original genius in our fictitious literature since the days of Walter Scott. As a social reformer his fame is quite as great as it is as a master of romance. His pen was mighty to the pulling down of many a social abuse, and from the loving kindness of his writings has been got many an inspiration to deeds of charity. But how could a man who went so far as he did go no further? How could the reformer who struck at so many social wrongs spare that hideous fountain-head of misery in London, the dram-shop? And how could he descend to scurrilously satirize all societies formed for the promotion of temperance? A still greater marvel is that so kind-hearted a man as Mr. Dickens, who sought honestly the amelioration of the condition of his fellow-men, could utterly ignore the transforming power of Christianity. He did not cast contempt on the Bible, and never soiled his pages with infidelity, neither did he ever enlighten, and warm and vivify them with evangelical uplifting truth. Only a few feet of earth separate the grave of Charles Dickens from the grave of William Wilberforce. Both loved their fellow-men; but the great difference between them was that one of them invoked the spiritual power of the Gospel of Christ, which the other lamentably ignored.

CHAPTER III

GREAT BRITAIN SIXTY YEARS AGO (Continued)