This peculiar relation of the man of genius to the people comes from American institutions. Here the greatest man stands nearest to the people, and without a mediator speaks to them face to face. This is a new thing: in the classic nations oratory was for the people, so was the drama, and the ballad; that was all their literature. But this came to the people only in cities: the tongue travels slow and addresses only the ear, while swiftly hurries on the printed word and speaks at once to a million eyes. Thucydides and Tacitus wrote for a few; Virgil sang the labors of the shepherd in old Ascræan verse, but only to the wealthy wits of Rome. "I hate the impious crowd and stave them off," was the scholar's maxim then. All writing was for the few. The best English literature of the sixteenth and seventeenth and eighteenth centuries is amenable to the same criticism, except the dramatic and the religious. It is so with all the permanent literature of Europe of that time. The same must be said even of much of the religious literature of the scholars then. The writings of Taylor, of Barrow, and South, of Bossuet, Massillon and Bourdaloue, clergymen though they were, speaking with a religious and therefore a universal aim, always presuppose a narrow audience of men of nice culture. So they drew their figures from the schoolmen, from the Greek anthology, from heathen classics and the Christian Fathers. Their illustrations were embellishments to the scholar, but only palpable darkness to the people. This fact of writing for a few nice judges was of great advantage to the form of the literature thus produced, but a disadvantage to the substance thereof, a misfortune to the scholar himself, for it belittled his sympathies and kept him within a narrow range. Even the religious literature of the men just named betrays a lack of freedom, a thinking for the learned and not for mankind; it has breathed the air of the cloister, not the sky, and is tainted with academic and monastic diseases. So the best of it is over-sentimental, timid, and does not point to hardy, manly life. Only Luther and Latimer preached to the million hearts of their contemporaries. The dramatic literature, on the other hand, was for box, pit and gallery; hence the width of poetry in its great masters; hence many of its faults of form; and hence the wild and wanton luxuriance of beauty which flowers out all over the marvellous field of art where Shakspeare walked and sung. In the pulpit, excellence was painted as a priest, or monk, or nun, loving nothing but God; on the stage, as a soldier, magistrate, a gentleman or simpleman, a wife and mother, loving also child and friend. Only the literature of the player and the singer of ballads was for the people.
Here all is changed, every thing that is written is for the hands of the million. In three months Mr. Macaulay has more readers in America than Thucydides and Tacitus in twelve centuries. Literature, which was once the sacrament of the few, only a shew-bread to the people, is now the daily meat of the multitude. The best works get reprinted with great speed; the highest poetry is soon in all the newspapers. Authors know this, and write accordingly. It is only scientific works which ask for a special public. But even science, the proudest of the day, must come down from the clouds of the academy, lay off its scholastic garb, and appear before the eyes of the multitude in common work-day clothes. To large and mainly unlearned audiences Agassiz and Walker set forth the highest teachings of physics and metaphysics, not sparing difficult things, but putting them in plain speech. Emerson takes his majestic intuitions of truth and justice, which transcend the experience of the ages, and expounds them to the mechanics' apprentices, to the factory girls at Lowell and Chicopee, and to the merchants' clerks at Boston. The more original the speaker, and the more profound, the better is he relished; the beauty of the form is not appreciated, but the original substance welcomed into new life over the bench, the loom, and even the desk of the counting-house. Of a deep man the people ask clearness also, thinking he does not see a thing wholly till he sees it plain.
From this new relation of the scholar to the people, and the direct intimacy of his intercourse with men, there comes a new modification of his duty: he is to represent the higher facts of human consciousness to the people, and express them in the speech of the people; to think with the sage and saint, but talk with common men. It is easy to discourse with scholars, and in the old academic carriage drive through the broad gateway of the cultivated class; but here the man of genius is to take the new thought on his shoulders and climb up the stiff, steep hill, and find his way where the wild asses quench their thirst, and the untamed eagle builds his nest. Hence our American scholar must cultivate the dialectics of speech as well as thought. Power of speech without thought, a long tongue in an empty head, calls the people together once or twice, but soon its only echo is from an audience of empty pews. Thought without power of speech finds little welcome here; there are not scholars enough to keep it in countenance. This popularity of intelligence gives a great advantage to the man of letters, who is also a man. He can occupy the whole space between the extremes of mankind; can be at once philosopher in his thought and people in his speech, deliver his word without an interpreter to mediate, and, like King Mithridates in the story, talk with the fourscore nations of his camp each in his own tongue.
Further still, there are some peculiarities of the American mind, in which we differ from our English brothers. They are more inclined to the matter of fact, and appeal to history; we, to the matter of ideas, and having no national history but of a revolution, may appeal at once to human nature. So while they are more historical, fond of names and precedents, enamoured of limited facts and coy towards abstract and universal ideas, with the maxim, "Stand by the fixed," we are more metaphysical, ideal, do not think a thing right because actual, nor impossible because it has never been. The Americans are more metaphysical than the English; have departed more from the old sensational philosophy, have welcomed more warmly the transcendental philosophy of Germany and France. The Declaration of Independence and all the State Constitutions of the North begin with a universal and abstract idea. Even preaching is abstract and of ideas. Calvinism bears metaphysical fruit in New England.
This fact modifies still more the function of the duty of the scholar. It determines him to ideas, to facts for the ideas they cover, not so much to the past as the future, to the past only that he may guide the present and construct the future. He is to take his run in the past to acquire the momentum of history, his stand in the present and leap into the future.
In this manner the position and duty of the scholar in America are modified and made peculiar; and thus is the mode determined for him, in which to pay for his education in the manner most profitable to the public that has been at the cost of his training.
There is a test by which we measure the force of a horse or a steam-engine: the raising of so many pounds through so many feet in a given time. The test of the scholar's power is his ability to raise men in their development.
In America there are three chief modes of acting upon the public, omitting others of small account. The first is the power which comes of National Wealth; the next, that of Political Station; the third, power of Spiritual Wealth, so to say, eminent wisdom, justice, love, piety, the power of sentiments and ideas, and the faculty of communicating them to other men, and organizing them therein. For the sake of shortness, let each mode of power be symbolized by its instrument, and we have the power of the Purse, of the Office, and the Pen.
The Purse represents the favorite mode of power with us. This is natural in our present stage of national existence and human development; it is likely to continue for a long time. In all civilized countries which have outgrown the period when the sword was the favorite emblem, the Purse represents the favorite mode of power with the mass of men; but here it is so with the men of superior education. This power is not wholly personal, but extra-personal, and the man's centre of gravity lies out of himself, less or more; somewhere between the man and his last cent, the distance being greater or less as the man is less or greater than the estate. This is wielded chiefly by men of little education, except the practical culture which they have gained in the process of accumulation. Their riches they get purposely, their training by the way and accidentally. It is a singular misfortune of the country, that, while the majority of the people are better cultivated and more enlightened than any other population in the world, the greater part of the wealth of the nation is owned by men of less education and consequently of less enlightenment than the rich men of any leading nation in Europe. In England and France the wealth of this generation is chiefly inherited, and has generally fallen to men carefully trained, with minds disciplined by academic culture. Here wealth is new, and mainly in the hands of men who have scrambled for it adroitly and with vigor. They have energy, vigor, forecast, and a certain generosity, but as a class, are narrow, vulgar, and conceited. Nine tenths of the property of the people is owned by one tenth of the persons, and these capitalists are men of little culture, little moral elevation. This is an accident of our position unavoidable, perhaps transient; but it is certainly a misfortune that the great estates of the country, and the social and political power of such wealth, should be mainly in the hands of such men. The melancholy result appears in many a disastrous shape: in the tone of the pulpit, of the press, and of the national politics; much of the vulgarity of the nation is to be ascribed to this fact, that wealth belongs to men who know nothing better.
The Office represents the next most popular mode of power. This also is extra-personal, the man's centre of gravity is out of himself, somewhere between him and the lowest man in the State; the distance depending on the proportion of manhood in him and the multitude, if the office is much greater than the man, then the officer's centre of gravity is further removed from his person. This is sought for by the ablest and best educated men in the land. But there is a large class of educated persons who do not aspire to it from lack of ability, for in our form of government it commonly takes some saliency of character to win the high places of office and use respectably this mode of power, while it demands no great or lofty talents to accumulate the largest fortune in America. It is true the whirlwind of an election, by the pressure of votes, may, now and then, take a very heavy body up to a great height. Yet it does not keep him from growing giddy and ridiculous while there, and after a few years lets him fall again into complete insignificance, whence no Hercules can ever lift him up. A corrupt administration may do the same, but with the same result. This consideration keeps many educated men from the political arena; others are unwilling to endure the unsavory atmosphere of politics, and take part in a scramble so vulgar; but still a large portion of the educated and scholarly talent of the nation goes to that work.