“Yes, it is all very sad and lamentable, certainly,” said the tyrant; “but worse entanglements than this have come out all right in the end. You must remember that the Duke of Vallombreuse is only half-brother to Isabelle, and that they were aware of the relationship but for a few minutes before he fell dead at our feet; which must make a great difference in her feelings. And besides, she hated that overbearing nobleman, who pursued her so cruelly with his violent and scandalous gallantries. The prince himself was far from being satisfied with his wretched son—who was ferocious as Nero, dissolute as Heliogabalus, and perverse as Satan himself, and who would have been hanged ten times over if he had not been a duke. Do not be so disheartened! things may turn out a great deal better than you think now.”
“God grant it, my good Hérode,” said de Sigognac fervently. “But naturally I cannot feel happy about it. It would have been far better for all if I had been killed instead of the duke, since Isabelle would have been safe from his criminal pursuit under her father’s care. And then, I may as well tell you all, a secret horror froze the very marrow in my bones when I saw that handsome young man, but a moment before so full of life, fire, and passion, fall lifeless, pale and stiff at my feet. Hérode, the death of a man is a grave thing, and though I cannot suffer from remorse for this one, since I have committed no crime, still, all the time I see Vallombreuse before me, lying, motionless and ghastly, with the blood oozing slowly from his wound. It haunts me. I cannot drive the horrid sight away.”
“That is all wrong,” said the tyrant, soothingly—for the other was much excited—“for you could not have done otherwise. Your conscience should not reproach you. You have acted throughout, from the very beginning to the end, like the noble gentleman that you are. These scruples are owing to exhaustion, to the feverishness due to the excitement you have gone through, and the chill from the night air. We will gallop on swiftly in a moment, to set our blood flowing more freely, and drive away these sad thoughts of yours. But one thing must be promptly done; you must quit Paris, forthwith, and retire for a time to some quiet retreat, until all this trouble is forgotten. The violent death of the Duke of Vallombreuse will make a stir at the court, and in the city, no matter how much pains may be taken to keep the facts from the public, and, although he was not at all popular, indeed very much the reverse, there will be much regret expressed, and you will probably be severely blamed. But now let us put spurs to these lazy steeds of ours, and try to get on a little faster.”
While they are galloping towards Paris, we will return to the château—as quiet now as it had been noisy a little while before. In the young duke’s room, a candelabrum, with several branches, stood on a round table, so that the light from the candles fell upon the bed, where he lay with closed eyes, as motionless as a corpse, and as pale. The walls of the large chamber, above a high wainscot of ebony picked out with gold, were hung with superb tapestry, representing the history of Medea and Jason, with all its murderous and revolting details. Here, Medea was seen cutting the body of Pelias into pieces, under pretext of restoring his youth—there, the madly jealous woman and unnatural mother was murdering her own children; in another panel she was fleeing, surfeited with vengeance, in her chariot, drawn by huge dragons breathing out flames of fire. The tapestry was certainly magnificent in quality and workmanship, rich in colouring, artistic in design, and very costly—but inexpressibly repulsive. These mythological horrors gave the luxurious room an intensely disagreeable, lugubrious aspect, and testified to the natural ferocity and cruelty of the person who had selected them. Behind the bed the crimson silk curtains had been drawn apart, exposing to view the representation of Jason’s terrible conflict with the fierce, brazen bulls that guarded the golden fleece, and Vallombreuse, lying senseless below them, looked as if he might have been one of their victims. Various suits of clothes, of the greatest richness and elegance, which had been successively tried on and rejected, were scattered about, and in a splendid great Japanese vase, standing on an ebony table near the head of the bed, was a bouquet of beautiful flowers, destined to replace the one Isabelle had already refused to receive—its glowing tints making a strange contrast with the death-like face, which was whiter than the snowy pillow it rested on. The prince, sitting in an arm-chair beside the bed, gazed at his unconscious son with mournful intentness, and bent down from time to time to listen at the slightly parted lips; but no fluttering breath came through them; all was still. Never had the young duke looked handsomer. The haughty, fierce expression, habitual with him, had given place to a serenity that was wonderfully beautiful, though so like death. As the father contemplated the perfect face and form, so soon to crumble into dust, he forgot, in his overwhelming grief, that the soul of a demon had animated it, and he thought sorrowfully of the great name that had been revered and honoured for centuries past, but which could not go down to centuries to come. More even than the death of his son did he mourn for the extinction of his home.
Isabelle stood at the foot of the bed, with clasped hands, praying with her whole soul for this new-found brother, who had expiated his crime with his life—the crime of loving too much, which woman pardons so easily.
The prince, who had been for some time holding his son’s icy cold hand between both his own, suddenly thought that he could feel a slight warmth in it, and not realizing that he himself had imparted it, allowed himself to hope again.
“Will the doctor never come?” he cried impatiently; “something may yet be done; I am persuaded of it.”
Even as he spoke the door opened, and the surgeon appeared, followed by an assistant carrying a case of instruments. He bowed to the prince, and without saying one word went straight to the bedside, felt the patient’s pulse, put his hand over his heart, and shook his head despondingly. However, to make sure, he drew a little mirror of polished steel from his pocket, removed it from its case, and held it for a moment over the parted lips; then, upon examining its surface closely, he found that a slight dimness was visible upon it. Surprised at this unexpected indication of life, he repeated the experiment, and again the little mirror was dimmed—Isabelle and the prince meantime breathlessly watching every movement, and even the expression of the doctor’s face.
“Life is not entirely extinct,” he said at last, turning to the anxious father, as he wiped the polished surface of his tiny mirror. “The patient still breathes, and as long as there is life there is hope, But do not give yourself up to a premature joy that might render your grief more bitter afterwards. I only say that the Duke of Vallombreuse has not yet breathed his last; that is all. Now, I am going to probe the wound, which perhaps is not fatal, as it did not kill him at once.”
“You must not stay here, Isabelle,” said the prince, tenderly; “such sights are too trying for a young girl like you. Go to your own room now, my dear, and I will let you know the doctor’s verdict as soon as he has pronounced it.”