Childebrand came in nicely as a rhyme to Rembrandt; for this fragment was a sort of confession of faith and romance to a friend, since dead, who at that time shared all our enthusiasms for Victor Hugo, Sainte-Beuve, and Alfred de Musset.
We must say of our cats as said Ruy Gomez de Silva to the impatient Don Carlos, when giving him the names and titles of his ancestors, which began with “Don Silvius, three times elected Consul of Rome,” “I have skipped some of the best——,” and so pass on to Madame Theophile, a reddish cat, with a white breast, pink nose, and blue eyes, who was thus named because she lived with us in an almost conjugal intimacy, sleeping on the foot of our bed, or on the arm of our writing chair; following us in our walks in the garden, assisting at our meals, and not infrequently intercepting the morsels which we were conveying from our plate to our mouth.
One day a friend, who was leaving home for a short time, left in our charge a favorite parrot. The bird, feeling lonely in a strange house, climbed by the help of his beak to the top of the perch, and sat there rolling about in a scared way his eyes, which glittered like gilt nails, and wrinkling over them the white membranes which served for eyelids. Madame Theophile had never before encountered a parrot, and the novelty awoke in her mind an evident astonishment. Motionless as an Egyptian cat embalmed in its network of bandages, she sat regarding the bird with an air of profound meditation, and putting together all the ideas of natural history which she had been able to collect during her excursions on the roofs or in the courtyard and garden. The shadows of her thoughts flitted across her changeful eyes, and it was not difficult to read the decision at which she finally arrived: “This is—decidedly it is—a green chicken!”
This conclusion reached, the cat jumped from the table which she had chosen as her observatory, and crouched in a corner of the room, her belly on the floor, her knees bent, her head lowered, her spine stiffened like that of the black panther in Gérome’s picture as it glares at the gazelles who are drinking by the lake.
The parrot followed each movement of the cat with a feverish disquietude. His feathers bristled; he rattled his chain, raised one of his claws and exercised its talons, while he whetted his beak on the edge of the feeding cup. Instinct revealed to him that this was an enemy who was plotting mischief.
AS FOR THE EYES OF THE CAT THEY WERE RIVETED ON THE BIRD WITH A FASCINATED INTENSITY.
As for the eyes of the cat, they were riveted on the bird with a fascinated intensity, and said plainly as eyes could speak, and in a language which the parrot understood only too well, “Green though he be, this chicken is without doubt good to eat.”
While we watched this scene with interest, ready to interfere whenever it should seem necessary, Madame Theophile was imperceptibly drawing nearer to her prey. Her pink nose quivered, her eyes were half shut, her elastic claws projected and then disappeared again in their velvet sheaths. Little shivers ran down her spine: she was like an epicure as he seats himself at table before a dish of truffled chicken, and smacks his lips in advance over the choice and succulent repast which he is about to enjoy. This exotic dainty tickled all her sensuous capabilities.
Suddenly her back curved like a bow which is bent, and with one strong elastic bound she alighted on the perch. The parrot, seeing his danger, remarked in a deep bass voice, as low and solemn as that of M. Joseph Prudhomme, “Hast thou breakfasted, Jacquot?”